
Source: Conversations with Judith Cladel (1939–1944), p. 407
1946 - 1963, interview with John Richardson' (1957)
Source: Conversations with Judith Cladel (1939–1944), p. 407
Boisgeloup, winter 1934
Quote of Picasso in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35
A Treatise on Painting (1651); "The Paragone"; compiled by Francesco Melzi prior to 1542, first published as Trattato della pittura by Raffaelo du Fresne (1651)
Context: Painting is poetry which is seen and not heard, and poetry is a painting which is heard but not seen. These two arts, you may call them both either poetry or painting, have here interchanged the senses by which they penetrate to the intellect.
Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
Source: 1950's, Interview by William Wright, Summer 1950, p. 145
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'
Je vais t'entretenir de moindres aventures,
Te tracer en ces vers de légères peintures;
Et si de t'agréer je n'emporte le prix,
J'aurai du moins d'honneur de l'avoir entrepris.
Book I (1668), Dedication "To Monseigneur the Dauphin".
Fables (1668–1679)
1880s, 1884
Source: Quote from Letter 355, from Nuenen The Netherlands, January 1884; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, page: Catalog: Dutch Period 2. - Weaver
Aphorism 7
Les Caractères (1688), Des Ouvrages de l'Esprit
Context: There are certain things in which mediocrity is intolerable: poetry, music, painting, public eloquence. What torture it is to hear a frigid speech being pompously declaimed, or second-rate verse spoken with all a bad poet's bombast!