“Shipwreck was an ever-present possibility in 1912.”

— Steve Turner

Source: The Band That Played On (Thomas Nelson, 2011), p. 129

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Steve Turner29

British writer 1949

Emmet Fox (1886–1951) American New Thought writer

Source: Find and Use Your Inner Power

“Being in Christ, it is safe to forget the past; it is possible to be sure of the future; it is possible to be diligent in the present.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 107.

“The past is wisdom.
The present is love.
The future is possibilities.”

Ralph Smart

“In this book, I try to understand the challenge presented by the prospect of superintelligence, and how we might best respond. This is quite possibly the most important and most daunting challenge humanity has ever faced. And—whether we succeed or fail—it is probably the last challenge we will ever face.”

Nick Bostrom book Superintelligence: Paths, Dangers, Strategies

Preface
Superintelligence: Paths, Dangers, Strategies (2014)

“Whenever you have a possibility of going in two ways, either for peace or for war, for peaceful methods of for military methods, in the present age there is a strong prejudice for the peaceful ones. War seldom ever leads to good results.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

As quoted in "George Kennan Speaks Out About Iraq" at History News Network (26 September 2002)

“Limitations are possibilities…
Opportunities to perceive ourselves
Beyond our present selves…”

Ilchi Lee (1950) South Korean businessman

Songs of Enlightenment

“We must not confuse the present with the past. With regard to the past, no further action is possible.”

Simone de Beauvoir book The Ethics of Ambiguity

Pt. III : The Positive Aspect of Ambiguity http://www.marxists.org/reference/subject/ethics/de-beauvoir/ambiguity/ch03.htm#s2, Ch. 1 : The Aesthetic Attitude <br class="br">The Ethics of Ambiguity (1947) <br class="br">Context: We must not confuse the present with the past. With regard to the past, no further action is possible. There have been war, plague, scandal, and treason, and there is no way of our preventing their having taken place; the executioner became an executioner and the victim underwent his fate as a victim without us; all that we can do is to reveal it, to integrate it into the human heritage, to raise it to the dignity of the aesthetic existence which bears within itself its finality; but first this history had to occur: it occurred as scandal, revolt, crime, or sacrifice, and we were able to try to save it only because it first offered us a form. Today must also exist before being confirmed in its existence: its destination in such a way that everything about it already seemed justified and that there was no more of it to reject, then there would also be nothing to say about it, for no form would take shape in it; it is revealed only through rejection, desire, hate and love. In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men. But at the heart of his existence he finds the exigency which is common to all men; he must first will freedom within himself and universally; he must try to conquer it: in the light of this project situations are graded and reasons for acting are made manifest.