“Last year I asked too much of my strength. I can't go on like this. it was not possible for me, I had to step back, I didn't make anything but stones [about his paintings? ] … They wanted to see beautiful paintings but I still couldn't make them, one illusion disappears for the other. I have made Cold reality, and I have made Truth. Is there a truth, also the cold reality is a truth. What exists between them was [only] baroque convention. I threw away everything in the stove... I am messing up my time with them; what is nothing more than material is no art to me; I could not bring it out..”

— Matthijs Maris

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Ik heb verleden jaar een beetje te veel van mijn krachten gevergd, ik kan dat niet volhouden, het was mij niet mogelijk, ik moest weder terug, ik heb niets zitten maken als steenen [over zijn schilderijen?].. .Zij hebben van mij mooie schilderijen willen zien en ik heb ze nog niet kunnen maken, de eene illusie verdwijnt voor de andere, ik heb de koude werkelijkheid gemaakt, en ik heb de Waarheid gemaakt. Is er een waarheid, de koude werkelijkheid is ook een waarheid. Wat daartusschen ligt was baroque conventie. Ik heb alles in de kachel gestopt.. ..ik zit er mijn tijd op te verknoeien; wat materieel is, is voor mij geen kunst. Ik heb die er niet uit kunnen brengen.
in a letter to E. Goossens van Eijndhoven, c. 1886, published in Onze Kunst, 1918, p. 136; as cited in 'Matthijs Maris' in Palet serie; een reeks monografieën over Hollandsche en Vlaamsche schilders https://archive.org/details/paletserieeenree4amstuoft, dr. H. E. v. Gelder; H. J. W. Becht, Amsterdam, pp. 13-14
Matthijs was that year painting his famous work 'The Bride, or Novice taking the Veil / De Kerkbruid' https://en.wikiquote.org/wiki/Matthijs_Maris#/media/File:Matthijs_Maris_The_Bride,_or_Novice_taking_the_Veil,_c_1887.jpg

Adopted from Wikiquote. Last update June 3, 2021. History

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Matthijs Maris 9

Dutch painter 1839–1917

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“I got tired of other's people painting and began to make my own paintings. I found, however, that I not only got tired of looking at my own paintings but that I also didn't like painting them at all. The painterly problems of what to put here and there and how to do it to make it go with what was already there, became more and more difficult and the solutions more and more unsatisfactory. Until finally it became obvious that there had to be a better way.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 114

“You see, I have made a great discovery. I no longer believe in anything. Objects don't exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence — what I can only describe as a sense of peace, which makes everything possible and right. Life then becomes a perpetual revelation. That is true poetry.”

Georges Braque (1882–1963) French painter and sculptor

Quote from The Power of Mystery (7 December 1957), a London Observer interview with John Richardson, as quoted in Braque: The Late Works (1997), by John Golding, Introduction, p. 10
unsourced variant translation: I made a great discovery. I don't believe in anything anymore. Objects do not exist for me, except that there is a harmonious relationship among them, and also between them and myself. When one reaches this harmony, one reaches a sort of intellectual void. This was everything becomes possible, everything becomes legitimate, and life is a perpetual revelation. This is true song.
1946 - 1963

“When I am in my painting, I am not aware of what I'm doing. It is only after a short of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.”

Jackson Pollock (1912–1956) American artist

In 'Possibilities', Vol. 1, no 1, winter 1947-48, p. 79; as quoted in Jackson Pollock (1983) by Elizabeth Frank, p. 68
1940's

“They didn't understand it and I tried to make them see
That one is only poor only if they choose to be
Now I know we had no money but I was rich as I could be
In my coat of many colors that Momma made for me
Made just for me…”

Dolly Parton (1946) American singer-songwriter and actress

Coat of Many Colors from the album of the same name
Song lyrics

“As far as my work concerned, I am busy with a few small paintings, one is ordered and the other I have to 'adventure'. More and more I feel that I am short of so many studies, if I had the money, I didn't make any painting next year, I would only study [sketches]; but well, you have to make the best of a bad job, it will be hard enough to enable myself a living.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Wat mijn werk betreft zit ik aan enige kleine schilderijtjes, een is mij besteld en die andere moet ik avonturen. Ik voel hoe langer hoe langs hoe meer dat ik zooveel studie te kort kom, als ik geld had schilderde ik in het eerste jaar geen schilderij en studeer ik [schetsen], maar enfin je moet eens door een zure appel heenbijten, het zal mij moeite genoeg kosten om te kunnen leven.
Quote of Mauve, in a letter to Willem Maris, from Oosterbeek, 1864; as cited in Anton Mauve 1838 - 1888, exhibition catalog of Teylers Museum, Haarlem / Laren, Singer, ed. De Bodt en Plomp, 2009, p. 133
1860's

“There are people who have made me see shapes — and others I thought of a great deal, even people I have loved, who make me see nothing. I have painted portraits that to me are almost photographic. I remember hesitating to show the paintings, they looked so real to me. But they have passed into the world as abstractions - no one seeing what they are.”

Georgia O'Keeffe (1887–1986) American artist

1970s, Some Memories of Drawings (1976)

“And now that I've arrived here thanks to my dreams / what should I do with reality? / And now that I don't even have my illusions / I don't even care about truth.”

Vasco Rossi (1980) Italian singer-songwriter

from E adesso tocca a me, 2008
Siamo solo noi (1981)

“I made the mistake that I wanted to manipulate the truth and make the world just a little more beautiful than it is.”

Diederik Stapel (1966) Dutch social psychologist

Stapel's own statement in De Volkskrant on 31 October 2011.

“For when I construct lines and colour combinations on a flat surface, it is with the aim of portraying 'universally beauty' as consciously as possible. Nature (or that which I see) inspires me, provides me – as it does every painter – with the emotion by which I am moved to create something, but I want to approach the truth as closely as possible, abstracting everything until I come to the foundation – still only an outward foundation! – of things. It is for me a clear truth that one does not want to say something 'specific', it is then that one says what is most specific: the truth (which is of great universality).”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's

“I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

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Matthijs Maris 9

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