
Victory: An Island Tale (1915), part I, Ch. 1 http://books.google.com/books?id=jhVObcSHoQgC&q=%22The+world+of+finance+is+a+mysterious+world+in+which+incredible+as+the+fact+may+appear+evaporation+precedes+liquidation%22&pg=PA3#v=onepage
The Bridge of San Luis Rey (1927)
Victory: An Island Tale (1915), part I, Ch. 1 http://books.google.com/books?id=jhVObcSHoQgC&q=%22The+world+of+finance+is+a+mysterious+world+in+which+incredible+as+the+fact+may+appear+evaporation+precedes+liquidation%22&pg=PA3#v=onepage
As quoted in Kennan and the Art of Foreign Policy (1989) by Anders Stephanson, p. 160
Statement broadcast to the United States and the Pacific Fleet, after ceremonies in Tokyo Bay accepting the official surrender of Japan (2 September 1945)
Context: On board all vessels at sea and in port, and at our many island bases in the Pacific, there is rejoicing and thanksgiving. The long and bitter struggle, which Japan started so treacherously on the 7th of December 1941, is at an end.
I take great pride in the American forces which have helped to win this victory. America can be proud of them. The officers and men of the United States Army, Navy, Marine Corps, Coast Guard, and merchant marine who fought in the Pacific have written heroic new chapters in this Nation's military history. I have infinite respect for their courage, resourcefulness, and devotion to duty. We also acknowledge the great contribution to this victory made by our valiant Allies. United we fought and united we prevail.
The port of Tokyo, which was first opened by Commodore Perry in 1853, is now crowded with United States men-of-war. The process of bringing Japan into the family of civilized nations, which was interrupted when Japan launched her program of conquest, will soon begin again.
“Christian hope is a vessel in which faith lives; love carries it.”
Source: Lumina and New Lumina (1969), p. 17
“In theatres… there are the bronze vessels in which are placed in niches under the seats”
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 9
Context: In theatres... there are the bronze vessels in which are placed in niches under the seats in accordance with the musical intervals on mathematical principles. These vessels are arranged with a view to musical concords or harmony, and apportioned in the compass of the fourth, the fifth, and the octave, and so on up to the double octave, in such a way that when the voice of an actor falls in unison with any of them its power is increased, and it reaches the ears of the audience with greater clearness and sweetness. Water organs too, and the other instruments which resemble them cannot be made by one who is without the principles of music.