“Every Jack sees in his own particular Jill charms and perfections to the enchantment of which we stolid onlookers are stone-cold. And which has the superior view of the absolute truth, he or we? Which has the more vital insight into the nature of Jill's existence, as a fact? Is he in excess, being in this matter a maniac? or are we in defect, being victims of a pathological anesthesia as regards Jill's magical importance? Surely the latter; surely to Jack are the profounder truths revealed; surely poor Jill's palpitating little life-throbs are among the wonders of creation, are worthy of this sympathetic interest; and it is to our shame that the rest of us cannot feel like Jack. For Jack realizes Jill concretely, and we do not. He struggles toward a union with her inner life, divining her feelings, anticipating her desires, understanding her limits as manfully as he can, and yet inadequately, too; for he also is afflicted with some blindness, even here. Whilst we, dead clods that we are, do not even seek after these things, but are contented that that portion of eternal fact named Jill should be for us as if it were not. Jill, who knows her inner life, knows that Jack's way of taking it - so importantly - is the true and serious way; and she responds to the truth in him by taking him truly and seriously, too. May the ancient blindness never wrap its clouds about either of them again! Where would any of us be, were there no one willing to know us as we really are or ready to repay us for our insight by making recognizant return? We ought, all of us, to realize each other in this intense, pathetic, and important way.”

"What Makes a Life Significant?"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

Ch 2 : The Nature of Creativity, p. 50
The Courage to Create (1975)
Context: World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.

Remarks by President Biden and First Lady Jill Biden at the Commissioning Commemoration Ceremony of the USS Delaware (April 2, 2022) https://www.whitehouse.gov/briefing-room/speeches-remarks/2022/04/02/remarks-by-president-biden-and-first-lady-jill-biden-at-the-commissioning-commemoration-ceremony-of-the-uss-delaware/
2022, April 2022

Source: My Early Life: A Roving Commission (1930), Chapter 5 (The Fourth Hussars).

Quote from her 2009 TED talk http://www.ted.com/talks/sylvia_earle_s_ted_prize_wish_to_protect_our_oceans

Russia's President Dmitry Medvedev sums up results of the year http://rt.com/Top_News/2009-12-24/medvedev-speech-year-2009.html (24 December 2009)

Source http://www.vatican.va/content/john-paul-ii/en/homilies/1995/documents/hf_jp-ii_hom_19951008_baltimore.html Oriole Park at Camden Yards, Baltimore, Sunday, 8 October 1995
Source: https://web.archive.org/web/20220416100400/https://www.vatican.va/content/john-paul-ii/en/homilies/1995/documents/hf_jp-ii_hom_19951008_baltimore.html Archived] from [https://www.vatican.va/content/john-paul-ii/en/homilies/1995/documents/hf_jp-ii_hom_19951008_baltimore.html the original

The Uttarpara Address (1909)
Context: That which we call the Hindu religion is really the eternal religion, because it is the universal religion which embraces all others. If a religion is not universal, it cannot be eternal. A narrow religion, a sectarian religion, an exclusive religion can live only for a limited time and a limited purpose. This is the one religion that can triumph over materialism by including and anticipating the discoveries of science and the speculations of philosophy. It is the one religion which impresses on mankind the closeness of God to us and embraces in its compass all the possible means by which man can approach God. It is the one religion which insists every moment on the truth which all religions acknowledge that He is in all men and all things and that in Him we move and have our being. It is the one religion which enables us not only to understand and believe this truth but to realise it with every part of our being. It is the one religion which shows the world what the world is, that it is the Lila of Vasudeva. It is the one religion which shows us how we can best play our part in that Lila, its subtlest laws and its noblest rules. It is the one religion which does not separate life in any smallest detail from religion, which knows what immortality is and has utterly removed from us the reality of death.

On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"