Tradition and the Individual Talent (1919)
Context: The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.
“The failing of contemporary criticism is double: Hand in hand with the suppression of aesthetic autonomy, one finds also a growing reluctance to recognize the complex and dynamic temporality of literature. By dynamic temporality I mean that immanent sense of time within the literary work, its ability to reach backward, as part of a tradition, and forward, as a vehicle of innovation and anticipation. This sort of temporality is quite different from a single-minded and frequently reductionist focus on historical context.”
Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 5.
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Russell Berman 17
American academic 1950Related quotes
Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 20.
Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 20.
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
“Temporal agents always notice time and date; we must.”
"—All You Zombies—" (1958)
Context: I was polishing a brandy snifter when the Unmarried Mother came in. I noted the time — 10: 17 P. M. zone five, or eastern time, November 7th, 1970. Temporal agents always notice time and date; we must.
The Unmarried Mother was a man twenty-five years old, no taller than I am, childish features and a touchy temper. I didn't like his looks — I never had — but he was a lad I was here to recruit, he was my boy. I gave him my best barkeep's smile.
Quote c. 1915 in 'Cubofuturism', Malevich, in his Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59
1910 - 1920
The Hireling Ministry, None of Christ's (1652)
Context: I observe the great and wonderful mistake, both our own and our fathers, as to the civil powers of this world, acting in spiritual matters. I have read … the last will and testament of the Lord Jesus over many times, and yet I cannot find by one tittle of that testament that if He had been pleased to have accepted of a temporal crown and government that ever He would have put forth the least finger of temporal or civil power in the matters of His spiritual affairs and Kingdom.
Hence must it lamentably be against the testimony of Christ Jesus for the civil state to impose upon the souls of the people a religion, a worship, a ministry, oaths (in religious and civil affairs), tithes, times, days, marryings, and buryings in holy ground...