“We do not mechanically connect the sensation of white with the idea of light, any more than we connect the sensation of black with the idea of darkness. We admit that a black jewel, even if of a dead black, may be more luminous than the white or pink satin of its case. Loving light, we refuse to measure it, and we avoid the geometrical ideas of the focus and the ray, which imply the repetition-contrary to the principle of variety which guides us-of bright planes and sombre intervals in a given direction. Loving colour, we refuse to limit it, and subdued or dazzling, fresh or muddy, we accept all the possibilities contained between the two extreme points of the spectrum, between the cold and the warm tone.”

— Jean Metzinger

Du Cubisme (1912)

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Jean Metzinger 33

French painter 1883–1956

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“We do not mechanically connect the sensation of white with the idea of light, any more than we connect the sensation of black with the idea of darkness. We admit that a black jewel, even if of a dead black, may be more luminous than the white or pink satin of its case. Loving light, we refuse to measure it, and we avoid the geometrical ideas of the focus and the ray, which imply the repetition-contrary to the principle of variety which guides us-of bright planes and sombre intervals in a given direction. Loving colour, we refuse to limit it, and subdued or dazzling, fresh or muddy, we accept all the possibilities contained between the two extreme points of the spectrum, between the cold and the warm tone.”

Albert Gleizes (1881–1953) French painter

1910s, Du Cubisme (1912)

“In light this bright, after so long in the dark, everything we can see is only black and white. Only glaring
shape-outlines we have to blink against.”

Chuck Palahniuk book Haunted

Source: Haunted

“All ideas come from sensation or reflection. Let us then suppose the mind to be, as we say, white paper, void of all characters, without any ideas. How comes it to be furnished?”

Kengo Kuma (1954) Japanese architect (b.1954)

1954

“Black theology cannot accept a view of God which does not represent God as being for oppressed blacks and thus against white oppressors. Living in a world of white oppressors, blacks have no time for a neutral God. The brutalities are too great and the pain too severe, and this means we must know where God is and what God is doing in the revolution. There is no use for a God who loves white oppressors the same as oppressed blacks. We have had too much of white love, the love that tells blacks to turn the other cheek and go the second mile. What we need is the divine love as expressed in black power, which is the power of blacks to destroy their oppressors, here and now, by any means at their disposal. Unless God is participating in this holy activity, we must reject God's love.”

James H. Cone (1938–2018) American theologian

Source: A Black Theology of Liberation (1970), p. 70

“When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field. The critics and, along with them, the public sighed, 'Everything which we loved was lost. We are in a desert... Before us is nothing but a black square on a white background!”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

But the desert is filled with the spirit of non-objective feeling.. ..which penetrates everything.
In 'The Non-Objective World: The Manifesto of Suprematism', 1926; trans. Howard Dearstyne [Dover, 2003, ISBN 0-486-42974-1], 'part II: Suprematism', p. 68
1921 - 1930

“We are all human beings—the same human beings. Don’t categorize that you are yellow, you are white, you are Black, and white is better than yellow or Black or any other skin color. That’s stupid things to compare. We are all different and beautiful.”

Youn Yuh-jung (1947) South Korean actress

Max, Gao, ‘Minari’ Actress Youn Yuh-Jung Knows the Awards “Mean Nothing to Me”, Observer, 2021-02-15, 2021-06-08 https://observer.com/2021/02/youn-yuh-jung-interview-minari/,

“This is what happens, unquestionably – I am positive: an optical sensation is produced in our visual organ, which leads us classify as light, half-tone or quarter-tone, the planes represented by sensations of color. [Thus the light does not exist for the painter]. As long as, inevitably, one proceeds from black to white, the former of these abstractions being a kind of point of rest both for eye and brain, we flounder about, we cannot achieve self-mastery, get possession of ourselves. During this period (I tend to repeat myself, inevitably) we turn to the admirable works [of the five great Venetian painters a. o. Titian and Tintoretto] handed down to us through the ages, in which we find comfort and support…”

Paul Cézanne (1839–1906) French painter

Quote from Cézanne's letter to Émile Bernard, 23 December 1904; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 184
Quotes of Paul Cezanne, after 1900

“Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash.”

Louis Aragon (1897–1982) French poet, novelist and editor

Source: Paris Peasant

“In the final analysis the weakness of Black Power is its failure to see that the black man needs the white man and the white man needs the black man. However much we may try to romanticize the slogan, there is no separate black path to power and fulfillment that dies not intersect white paths, and there is no separate white path to power and fulfillment, short of social disaster, that does not share that power with black aspirations for freedom and human dignity. We are bound together in a single garment of destiny. The language, the cultural patterns, the music, the material prosperity, and even the food of America are an amalgam of black and white.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

As quoted in Where Do We Go from Here: Chaos or Community? (1967)
1960s

“Since sounds have no natural connection with our ideas … the doubtfulness and uncertainty of their signification … has its cause more in the ideas they stand for than in any incapacity there is in one sound more than another to signify any idea.”

John Locke book An Essay Concerning Human Understanding

Book III, Ch. 9, sec. 4
An Essay Concerning Human Understanding (1689)

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Jean Metzinger 33

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