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Chancellor of the Exchequer
                                    
            Pt. 1, Ch. 3 
Papa Hemingway (1966)
        
                                        
                                        Speech to the 1900 Club at Grosvenor House, London (10 June 1936) on the Italo-Abyssinian War, quoted in The Times (11 June 1936), p. 10 
Chancellor of the Exchequer
                                    
                                        
                                        From Frédéric Louis Ritter's French Tr. Introduction à l'art Analytique (1868) utilizing Google translate with reference to English translation in Jacob Klein, Greek Mathematical Thought and the Origin of Algebra (1968) Appendix 
In artem analyticem Isagoge (1591)
                                    
“One's ridiculousness increases in proportion as one denies it.”
                                        
                                        Letter 141: La Marquise de Merteuil to le Vicomte de Valmont.  Trans. Richard Aldington (1924).  http://fr.wikisource.org/wiki/Les_Liaisons_dangereuses_-_Lettre_141 
Les liaisons dangereuses (1782)
                                    
“In proportion therefore, as the repulsiveness of the work increases, the wage decreases.”
Source: The Communist Manifesto
“A man is honorable in proportion to the personal risks he takes for his opinion.”
Source: Antifragile: Things That Gain from Disorder (2012), p. 147
“Science increases our power in proportion as it lowers our pride.”
Bulletin of New York Academy of Medicine, Vol. IV (1928)
“Anxiety increases in direct ratio and proportion as man departs from God.”
Source: Peace of Soul (1949), Ch. 2, p. 19
                                        
                                        X magazine (1959-62) 
Context: There is a sense, and a very exciting sense, in which art is moral. When Stendhal says a good picture is nothing but a construction in ethics, one recognises a truth about art which opens up vistas that are at the same time liberating and terrifying. The ethics of art are terrifying because real art by increasing our knowledge of ourselves increases in exactly the same proportion the ethical commitment.
                                    
Source: Economic & Philosophic Manuscripts of 1844/The Communist Manifesto
 
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                        