“Here's a movie that stretches out every moment for more than it's worth, until even the moments of inspiration seem forced. Since the basic idea of the movie is a good one and there are talented people in the cast, what we have here is a film shot down by its own forced and mannered style.”

— Roger Ebert

Review http://www.rogerebert.com/reviews/raising-arizona-1987 of Raising Arizona (20 March 1987)
Reviews, One-and-a-half star reviews

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Roger Ebert 264

American film critic, author, journalist, and TV presenter 1942–2013

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“Don't crucify me because of what your idea of a movie star is. I didn't start out to be a movie star. I started out to be an actor. You people out in the East have no idea what goes on out here. No awareness or knowledge whatsoever. You lose track of the human being behind the image of the movie star.”

Kirk Douglas (1916–2020) American stage and film actor

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“Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I fucking love that idea!”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

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“The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives…”

Walker Percy book The Moviegoer

Source: The Moviegoer

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

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“If you thought it was impossible for a film to contain less effective comedy than Date Movie, here's evidence to the contrary.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=595 of Epic Movie (2007).
One-star reviews

“Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful — our own innocence.”

Pauline Kael book Kiss Kiss Bang Bang

"Movies on Television".
Kiss Kiss Bang Bang (1968)

“This is a painful movie to watch. But it is also exhilarating, as all good movies are, because we are watching the director and actors venturing beyond any conventional idea of what a modern movie can be about. Here there is no plot, no characters to identify with, no hope. But there is care: The filmmakers care enough about these people to observe them very closely, to note how they look and sound and what they feel.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/naked-1994 of Naked (18 February 1994)
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“Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"… as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/saving-silverman-2001 of Saving Silverman (9 February 2001)
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“Even at 11, I had more foresight than Johnny Depp. I watched the movie on a continuous loop, studying Gene’s every mannerism, taking notes.”

Steven Crowder (1987) American actor

“I recently published a book about movies I hated, and people have been asking me which reviews are harder to write — those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre — movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea… the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/scary-movie-2000 of Scary Movie (7 July 2000)
Reviews, Three star reviews

“Here's a movie that stretches out every moment for more than it's worth, until even the moments of inspiration seem forced. Since the basic idea of the movie is a good one and there are talented people in the cast, what we have here is a film shot down by its own forced and mannered style.”

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