
“The works of 'abstract' art are subtle creations of order out of simple contrasting elements.”
Asymmetric Typography (1935)
The Plague (1947)
“The works of 'abstract' art are subtle creations of order out of simple contrasting elements.”
Asymmetric Typography (1935)
Herschel Browning Chip (1968, p. 270).
Other translation:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality.
Richard Friedenthal (1968, p. 256-7).
Longer version:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.. .Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision.. .. You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only (Boisgeloup, winter 1934).
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Context: Abstract art is only painting. What about drama?
There is no abstract art. You always start with something. Afterward you can remove all traces of reality.
“The abstract kills, the concrete saves.”
1959-01-07 http://books.google.com/books?id=4V7HOuom_I4C&q=%22The+abstract+kills+the+concrete+saves%22&pg=PA287#v=onepage
The Unabridged Journals of Sylvia Plath (2000)
Commencement Address to Boston University Class of 2005
Dijkstra (1979) My hopes of computing science http://www.cs.utexas.edu/users/EWD/transcriptions/EWD07xx/EWD709.html (EWD 709).
1970s
Source: Guide for the Perplexed (c. 1190), Part III, Ch.9
Context: The corporeal element in man is a large screen and partition that prevents him from perfectly perceiving abstract ideals; this would be the case even if the corporeal element were as pure and superior as the substance of the spheres; how much more must this be the case with our dark and opaque body. However great the exertion of our mind may be to comprehend the Divine Being or any of the ideals, we find a screen and partition between God and us.
“You have to take what you could get when you're getting started.”
RARE selena Interview https://www.youtube.com/watch?v=Cnqbvsz_M6I
Source: 1925 - 1940, Unpublished notes' for 'The Sculptor Speaks' (1937), pp. 112-113
Original in French:
Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des choses.
Caiete Silvane magazine, 2008-11-01, Sculptura pe Internet http://www.caietesilvane.ro/indexcs.php?cmd=articol&idart=232,
letter to w:Alfred Stieglitz, October 9, 1919, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 68
1908 - 1920