“I propose to create an heroic, monumental style of composition simple enough to inspire all people, completely free from fads, artificial mannerisms and false sophistications, direct, forceful, sincere, always original but never unnatural. Music must be freed from decadence and stagnation. There has been too much emphasis on small things while the great truths have been overlooked. The superficial must be dispensed with. Music must become virile to express big things. It is not my purpose to supply a few pseudo intellectual musicians and critics with more food for brilliant argumentation, but rather to inspire all mankind with new heroism and spiritual nobility. This may appear to be sentimental and impossible to some, but it must be remembered that Palestrina, Handel, and Beethoven would not consider it either sentimental or impossible. In fact, the worthiest creative art has been motivated consciously or unconsciously by the desire for the regeneration of mankind.”

— Alan Hovhaness

Alan Hovhaness, 1940 Guggenheim Application http://www.hovhaness.com/hovhaness-biography.html

Adopted from Wikiquote. Last update June 3, 2021. History

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Alan Hovhaness 4

Armenian-American composer 1911–2000

John Diamond (doctor) (1934) Australian doctor

Source: The Life Energy in Music, Vol. 1 (1981), p. 7

“I must learn how to express the gentle vibration of things, their roughened textures, their intricacies. I have to find an expression for that in my drawing, too, in the way I sketched my nudes here in Paris, only more original, more subtly observed. The strange quality of expectation that hovers over muted things [skin, Otto's Otto Modersohn forehead, fabrics, flowers]; I must try to get hold of the great and simple beauty of all that. In general, I must strive for the utmost simplicity united with the most intimate power of observation. That's where greatness lies.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 197-198
1898

“The mind must not be forced; artificial and constrained manners fill it with foolish presumption, through unnatural elevation and vain and ridiculous inflation, instead of solid and vigorous nutriment.”

Blaise Pascal (1623–1662) French mathematician, physicist, inventor, writer, and Christian philosopher

The Art of Persuasion

“I lost part of myself to him then, and a soaring sense of freedom revealed that this must have been my purpose from the first: to become a part of Phineas.”

John Knowles book A Separate Peace

Gene, on the desire to be Finny.
Source: A Separate Peace (1959), P. 85

“My motivation is that inner driving force within me to share my music with the world. I want to get my music out there so I can inspire people just as I have been inspired through music. Music makes you feel; whether it’s happy, sad, or a million different emotions which come to mind, music can invoke those feelings. That’s inspiration to me. ”

Мэдисон Роуз

“His opponents have tried to argue that America is already great, has been great, and will always be great. But the truth is, for many Americans, things have not been so great for at least the last two decades.”

John Feffer (1963) American foreign policy writer

Trumpism is here to stay: America’s neo-fascist fever dream has only just begun (2016)

“My subject matter is Colombia and it has always been Colombia; I lived many years in New York, in Paris, and I have never had the feeling to paint an American or a French subject matter. The thing is that the art - and the artist - must have roots in his own land, in his own life: my life is in Colombia, and my land is Colombia. Now, of course, the language that you use to express the subject matter must be universal: the composition, the colour, the balance, etc. In this sense, subject must be local, but the language must be universal, in order to touch any human being in the world…”

Fernando Botero (1932–2023) Colombian artist

On staying with Colombia as his subject matter in “Interview: Fernando Botero” http://www.timeoutshanghai.com/features/Art-Art_Features/34176/Interview-Fernando-Botero.html in TimeOut Shanghai (2016 Feb 25)

“I simply make music, and people have always been foolish enough to pay me for it. I never told them that I would have done it all for nothing.”

Leopold Stokowski (1882–1977) British conductor

http://www.prestoclassical.co.uk/r/Newton%2BClassics/8802024 CBS TV 1976

“I am forced to transpose until finally my picture may seem completely changed when, after successive modifications, the red has succeeded the green as the dominant color. I cannot copy nature in a servile way, I must interpret nature and submit it to the spirit of the picture – when I have found the relationship of all the tones the result must be a living harmony of tones, a harmony not unlike that of a musical composition”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

“Creating an action score can be quite challenging because action music can become too overwhelming. If all the music in the game is high energy it will become monotonous. I set out to build a pace in the score, so that there would be a variety of emotions and energy levels in the music. The challenge became to create these different music styles while still maintaining an action feel.”

Jesper Kyd (1972) musician

Go! Game! Music! interview

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