
“He that would live in peace and at ease, must not speak all he knows nor judge all he see. ”
Tribune Rally, 29 September 1954, in response to Clement Attlee's wish for a non-emotional response to German rearmament. The remark 'desiccated calculating-machine' is often taken as a Bevan jibe against Hugh Gaitskell who became Labour Party leader the following year.
1950s
“He that would live in peace and at ease, must not speak all he knows nor judge all he see. ”
Variant: What I am saying is that it is not so much what man is that counts as it is what he ventures to make of himself. To make the leap he must do more than disclose himself; he must risk a certain amount of confusion. Then, as soon as he does catch a glimpse of a different kind of life, he needs to find some way of overcoming the paralyzing moment of threat, for this is the instant when he wonders who he really is - whether he is what he just was or is what he is about to be. Adam must have experienced such a moment.
Source: The Language of Hypothesis, 1964, p. 158
Source: Why Men Earn More (2005), p. 181.
“He who would see old Hoghton right
Must view it by the pale moonlight.”
William Carew Hazlitt, English Proverbs and Provincial Phrases, (London, 1882) http://books.google.com/books?vid=0BwDL0yjf1gG1Sn05IQSrM4&id=mmkKAAAAIAAJ&pg=PA205&lpg=PA205&dq=%22He+who+would+see+old+Hoghton+right%22#PPA205,M1
Misattributed
Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from "Journey to Ixtlan" (Chapter 8)
Source: If You Want to Write: A Book about Art, Independence and Spirit
Light (1919), Ch. XXII - Light
Context: He who would dig right down to the truth must simplify; his faith must be brutally simple, or he is lost. Laugh at the subtle shades and distinctions of the rhetoricians and the specialist physicians. Say aloud: "This is what is," and then, "That is what must be."
Quote in a questionnaire, Max Ernst filled out in 1948, the U.S; as cited in Max Ernst: a Retrospective, ed. Werner Spies & Sabine Rewald, Metropolitan Museum of Art, New York 2005, p. 7
1936 - 1950