“Concrete poetry began for me with the extraordinary sense that the syntax I had been using, the movement of language within me, af a physical level was no longer there. So it had to be replaced with something else with a syntax and movement that would be true of this new feeling.”

—  Ian Hamilton Finlay

Stephen Bann ed. 'Midway: Letters from Ian Hamilton' Willmington Square Books 2014 (Letter to Pierre Garnier)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Concrete poetry began for me with the extraordinary sense that the syntax I had been using, the movement of language wi…" by Ian Hamilton Finlay?
Ian Hamilton Finlay photo
Ian Hamilton Finlay 2
Scottish poet, writer, artist and gardener 1925–2006

Related quotes

Marshall McLuhan photo

“New media are new languages, their grammar and syntax yet unknown.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 229

Fernando J. Corbató photo

“The use of the high level language made each programmer a factor of 5 to 10 more productive in a coding sense and more concerned with the semantics than the syntax of modules.”

Fernando J. Corbató (1926–2019) American computer scientist

"A Managerial View of the Multics System Development" (1978)

Sergei Rachmaninoff photo

“Although it may seem incredible, this cure helped me. At the beginning of the summer I began to compose… New musical ideas began to stir with me-far more than I needed for my concerto. By the autumn I had finished the Adagio and Finale… The Two movements I played… at a charity concert… They had a gratifying success… By the Spring I had finished the first movement of the concerto… Out of gratitude, I dedicated it to Nikolay Dahl.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

About his second piano concerto. Masterworks of the Orchestral Repertoire: A Guide for Listeners by Donald N. Ferguson.

“Philosophy is to be replaced by the logic of science -- that is to say, by the logical analysis of the concepts and sentences of the sciences, for the logic of science is nothing other than the logical syntax of the language of science.”

Rudolf Carnap (1891–1970) German philosopher

Foreword
Logical Syntax of Language, 1934/1937

Larry Wall photo

“There's something to be said for returning the whole syntax tree.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199710221833.LAA24741@wall.org, 1997]
Usenet postings, 1997

“An art mode, new or old, is for the creative mind essentially a point of beginning. Content is brought into being by the activity through which the artist translates the movement into himself. In such an appropriation, there is no difference between an ongoing movement and one that is finished. During the reign of Minimalism, a painter might realize the new through Impressionism. That art history has a schedule of continuous advances en masse is a fantasy of the historian. The shared syntax of art movements is constantly replaced by the sensibility and practice of individuals. The avant-garde art of yesterday is the only modern equivalent of an aesthetic tradition. The fading of the ideas of a movement does not mean that it can no longer be a stimulus to creation. At the very dawn of a movement, the work of its artists commences to replace the concept; instead of Cubism there appear Picasso, Braque, Gris. Compared to the activities to which they give rise, ideas in art have a brief life. In the last analysis, the vitality of art in our time depends on works produced by movements after they have died.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 230, Art on the Edge (1975) "Shall These Bones Live?: Art Movement Ghosts"

“The vision we have of conversational programming takes in much more than rapid turn around time and convenient debugging aids: our most interesting programs are never wrong and never final. […] What is new is the requirement to make variable in our languages what we had previously taken as fixed. I do not refer to new data classes now, but to variables whose values are programs or parts of programs, syntax or parts of syntax, and regimes of control.”

Alan Perlis (1922–1990) American computer scientist

The Synthesis of Algorithmic Systems, 1966

“It is extraordinary that nobody nowadays under the stress of great troubles is turned into stone or a bird or a tree or some inanimate object; they used to undergo such metamorphoses in ancient times (or so they say), though whether that is myth or a true story I know not. Maybe it would be better to change one's nature into something that lacks all feeling, rather than be so sensitive to evil. Had that been possible, these calamities would in all probability have turned me to stone”

Anna Comnena book Alexiad

The Alexiad, Preface

Anaïs Nin photo

“I had a feeling that Pandora's box contained the mysteries of woman's sensuality, so different from man's and for which man's language was inadequate. The language of sex had yet to be invented. The language of the senses was yet to be explored. D. H. Lawrence began to give instinct a language, he tried to escape the clinical, the scientific, which only captures what the body feels.”

Anaïs Nin book Delta of Venus

As quoted in D. H. Lawrence and Nine Women Writers (1996) by Leo Hamalian, p. 90
Source: Delta of Venus

Georges Braque photo

“What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life…'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264

Related topics