“The essays in simulation of [Paul] Eluard and [Andre] Breton, Breton's recent poem-objects, the latest images of Rene Magritte, the "method" of the latest sculpture of Picasso and the theoretic and pictorial activity of Salvador Dali prove this need of concrete materialisation in current reality, of giving objective value on the real plane to the delirious unknown world of our irrational experiences. Against the remembrance of dreams and the virtual and impossible images of purely receptive states, "that can only be recounted", there are the physical facts of "objective" irrationality, with which one can already actually wound oneself.”

— Salvador Dalí

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 14-15

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Salvador Dalí 117

Spanish artist 1904–1989

Related quotes

“Surrealism in its early period offered specific methods to bring images closer to concrete irrationality. These methods, based on the exclusive passive and receptive role of the 'surrealist subject', are bankrupt and are giving way to new surrealist methods for the systematic exploration of the irrational... The new delirious images of concrete irrationality suggest their physical, real 'possibility'; they go beyond the domain of psycho-analysable fantasies and 'virtual' representations... Against the dream memory and impossible, virtual images of purely receptive states that one can only recount, the physical facts of 'objective' irrationality with which one can already hurt oneself.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 23 - on new Surrealism techniques and methods.

“My whole ambition in the pictorial domain is to materialise the images of concrete irrationality with the most imperialist fury of precision. - In order that the world of the imagination and of concrete irrationality may be as objectively evident.... as that of the exterior world of phenomenal reality. - The important thing is what one wishes to communicate: the concrete irrational subject.”

Salvador Dalí (1904–1989) Spanish artist

The means of pictorial expression are placed at the service of this subject.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 12

“Surrealism in its first period offered specific methods for approaching the images of concrete irrationality. These methods, based on the exclusively passive and receptive role of the surrealist subject, are now [1935] in liquidation and giving place to new surrealist methods of systematic exploration of the irrational.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 13

“It was in 1929 that Salvador Dali [Dali is writing about himself] brought his attention to hear upon the internal mechanism of paranoiac phenomena and envisaged the possibility of an experimental method based on the sudden power of the systematic associations proper to paranoia; this method afterwards became the delirio-critical synthesis which hears the name of "paranoiac-critical activity". Paranoia: delirium of interpretive association bearing a systematic structure. Paranoiac-critical activity: spontaneous method of irrational knowledge based upon the interpretive-critical association of delirious phenomena.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 15

“I had always believed in Andre Breton's freedom, to write as one thinks, in the order and disorder in which one feels in thinks, to follow sensations and absurd correlations of events and images, to trust to the new realms they lead one into. "The cult of the marvelous."”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Winter, 1931-1932 The Diary of Anaïs Nin , Volume One 1931-1934 
Diary entries (1914 - 1974)
Context: I had always believed in Andre Breton's freedom, to write as one thinks, in the order and disorder in which one feels in thinks, to follow sensations and absurd correlations of events and images, to trust to the new realms they lead one into. "The cult of the marvelous." Also the cult of the unconscious leadership, the cult of mystery, the evasion of false logic. The cult of the unconscious as proclaimed by Rimbaud. It is not madness. It is an effort to transcend the rigidities and the patterns made by the rational mind.