“As part of the spring ritual of National Poetry Month, poets are symbolically dragged into the public square in order to be humiliated with the claim that their product has not achieved sufficient market penetration and must be revived by the Artificial Resuscitation Foundation (ARF) lest the art form collapse from its own incompetence, irrelevance, and as a result of the general disinterest among the broad masses of the American People. The motto of ARF's National Poetry Month is: "Poetry's not so bad, really."”

— Charles Bernstein

" Against National Poetry Month As Such http://www.press.uchicago.edu/Misc/Chicago/044106.html", from My Way: Speeches and Poems, 1999, University Of Chicago Press, ISBN 0226044092

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American writer 1950

R.S. Thomas (1913–2000) Welsh poet

R. S. Thomas : Priest and Poet, BBC TV (2 April 1972)
Context: Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry. The message of the New Testament is poetry. Christ was a poet, the New Testament is metaphor, the Resurrection is a metaphor; and I feel perfectly within my rights in approaching my whole vocation as priest and preacher as one who is to present poetry; and when I preach poetry I am preaching Christianity, and when one discusses Christianity one is discussing poetry in its imaginative aspects. … My work as a poet has to deal with the presentation of imaginative truth.

“Don’t you think that as a people, Americans have less poetry, real poetry, in their souls than any other nations?”

Robert E. Howard (1906–1936) American author

From a letter to Robert W. Gordon (January 2, 1926)
Letters

“English Poetry has come full circle from the widest public appeal, the communal poetry of ballads to the narrowest possible, in the present day as the poet addresses himself.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

'Phases of English Poetry' Hogarth Press (1928)
Phases in English Poetry (1928)

“To be a poet is to dive into the madness of poetry and penetrate deeply into the realm of words…”

Valter Bitencourt Júnior (1994) Brazilian poet and writer

“However rootedly national it may be, poetry is less and less the prisoner of its own language.”

Ted Hughes (1930–1998) English poet and children's writer

Poetry International Programme note (1967); also in Selected Translations (2006), edited by Daniel Weissbort, p. 10
Context: However rootedly national it may be, poetry is less and less the prisoner of its own language. It is beginning to represent as an ambassador, something far greater than itself. Or perhaps, it is only now being heard for what, among other thngs, it is — a universal language of understanding, coherent behind the many languages in which we can all hope to meet. … We now give more serious weight to the words of a country's poets than to the words of its politicians — though we know the latter may interfere more drastically with our lives. Religions, ideologies, mercantile competition divide us. The essential solidarity of the very diverse poets of the world, besides being mysterious fact is one we can be thankful for, since its terms are exclusively those of love, understanding and patience. It is one of the few spontaneous guarantees of possible unity that mankind can show, and the revival of an appetite for poetry is like a revival of an appetite for all man's saner possibilities, and a revulsion from the materialist cataclysms of recent years and the worse ones which the difference of nations threatens for the years ahead.
The idea of global unity is not new, but the absolute necessity of it has only just arrived, like a sudden radical alteration of the sun, and we shall have to adapt or disappear. If the nations are ever to make a working synthesis of their ferocious contradictions, the plan will be created in spirit before it can be formulated or accepted in political fact. And it is in poetry that we can refresh our hope that such a unity is occupying people's imaginations everywhere, since poetry is the voice of spirit and imagination and all that is potential, as well as of the healing benevolence that used to be the privilege of the gods.

“The priority for the poet must be his poetry, the poetry must determine his agenda and deadlines”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

“Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through poetry.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

"Orphée Noir (Black Orpheus)"

“At the risk of over-generalizing, my sense is that American poetry, where popular culture is concerned, is a poetry of freedom and permission—that there are certainly poets who embrace it and have enjoyed success, from a publishing perspective, in embracing it…”

Francisco Aragón (1968) poet

On how certain poetry intermingles popular culture in “Q & A: AMERICAN POETRY—Francisco Aragón” https://poetrysociety.org/features/q-a-american-poetry-1/francisco-arag%C3%B3n (Poetry Society of America)

“To say that a poet is justified in employing a disintegrating form in order to express a feeling of disintegration, is merely a sophistical justification for bad poetry, akin to the Whitmanian notion that one must write loose and sprawling poetry to 'express' the loose and sprawling American continent. In fact, all feeling, if one gives oneself (that is, one's form) up to it, is a way of disintegration; poetic form is by definition a means to arrest the disintegration and order the feeling; and in so far as any poetry tends toward the formless, it fails to be expressive of anything.”

Yvor Winters (1900–1968) American poet and literary critic

The Influence of Meter on Poetic Convention, Section V : The Heroic Couplet and its Recent Rivals
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

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