“Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideological war long since fought and won by responsible minds like Schoenberg, with neither systems nor scholarship for armor!”

— Luciano Berio

"The Composer on His Work : Meditation on a Twelve-Tone Horse", in Classic Essays on Twentieth-Century Music : A Continuing Symposium (1996) edited by Richard Kostelanetz and Joseph Darby

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Do you have more details about the quote "Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragg…" by Luciano Berio?

Luciano Berio 3

Italian composer 1925–2003

Elliott Carter (1908–2012) American composer

Elliott Carter (1977). The Writings of Elliott Carter, p.186. Bloomington: Indiana University Press.
Cited in Albright, Daniel (2004). Modernism and Music: An Anthology of Sources. University of Chicago Press. ISBN 0226012670.

“Collections of all twelve pitch classes can be differentiated from one another only by assigning an order to the pitch classes or by partitioning them into mutually exclusive sub-collections. The ordering principle is the basis of the twelve-tone system formulated by Schoenberg, the partitioning principle the basis of the system formulated around the same time by Hauer. In Schoenberg's compositional practice, however, the concept of a segmental pitch-class content is represented as well, as a basis for the association of paired inversionally related set forms. On the relation between Schoenberg and Hauer see Bryan R. Simms, "Who First Composed Twelve-Tone Music, Schoenberg or Hauer?" Journal of the Arnold Schoenberg Institute X/2”

George Perle (1915–2009) American composer

November 1987
Page 101, note 2
The Listening Composer

“They constantly try to escape
From the darkness outside and within
By dreaming of systems so perfect that no one will need to be good.
But the man that is shall shadow
The man that pretends to be.”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

“If…[Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partitionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.”

George Perle (1915–2009) American composer

Page 98
See: Common practice period, Twelve-tone technique
The Listening Composer

“The composer (organizer of sound) will be faced not only with the entire field of sound but also with the entire field of time. The 'frame' or fraction of a second, following established film technique, will probably be the basic unit in the measurement of time. No rhythm will be beyond the composer's reach.
NEW METHODS WILL BE DISCOVERED, BEARING A DEFINITE RELATION TO SCHOENBERG'S TWELVE-TONE SYSTEM”

John Cage (1912–1992) American avant-garde composer

1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE

“By the time of his Fourth String Quartet, inversional symmetry had become as fundamental a premise of Bartók's harmonic language as it is of the twelve-tone music of Schoenberg, Berg, and Webern. Neither he nor they ever realized that this connection establishes a profound affinity between them in spite of the stylistic features that so obviously distinguish his music from theirs…Nowhere does he [Bartók] recognize the communality of his harmonic language with that of the twelve-tone composers that is implied in their shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations.”

George Perle (1915–2009) American composer

Pages 46-47
The Listening Composer

“It is a matter of forming a new state consciousness that includes every productive citizen. Since the political powers of the day are neither willing nor able to create such a situation, socialism must be fought for.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)

“They constantly try to escape
From the darkness outside and within
By dreaming of systems so perfect that no one will need to be good.”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)
Context: They constantly try to escape
From the darkness outside and within
By dreaming of systems so perfect that no one will need to be good.
But the man that is shall shadow
The man that pretends to be.

“The mind of sentient beings as it is in itself has neither marks nor nature. It is like the ocean, like space. Since it is like space, there are no marks that are not subsumed within it. How could it contain a direction such as east or west? Since it is like the ocean, there is no nature that is preserved.”

Wonhyo (617–686) Korean buddhist philosopher

佛說阿彌陀經疏 Bulseol Amitagyeong so (prolegomenon to the Commentary on the Amitabha Sutra Spoken by the Buddha)
Translated by A. Charles Muller

“There is nothing better for the inside of a man than the outside of a horse.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

According to The quote verifier: who said what, where, and when (2006), Keyes, Macmillan, p. 91 ISBN 0312340044 , the cover of a trade magazine once credited this observation to Churchill, but it dates back well into the nineteenth century, and has been variously attributed to Henry Ward Beecher, Oliver Wendell Holmes, w:Theodore Roosevelt, w:Thomas Jefferson, w:Will Rogers and Lord Palmerston, among others. One documented use in Social Silhouettes (1906) by George William Erskine Russell, p. 218 wherein a character attributes the saying to Lord Palmerston.
Misattributed

“Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideological war long since fought and won by responsible minds like Schoenberg, with neither systems nor scholarship for armor!”

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Luciano Berio 3

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