
Source: https://theosophy.world/sites/default/files/ebooks/Annie%20Besant-In-The-Outer-Court.pdf In the Outer Court, 1895, p. 57
Dion Fortune, Spiritualism and Occultism
Source: https://theosophy.world/sites/default/files/ebooks/Annie%20Besant-In-The-Outer-Court.pdf In the Outer Court, 1895, p. 57
Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977
Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 25.
Source: The Image: A Guide to Pseudo-Events in America (1961), p. 257.
Source: Self-Consciousness : Memoirs (1989), Ch. 6
Creation seminars (2003-2005), The Garden of Eden
Vol. 2 "On Philosophy and the Intellect" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.
As quoted by the interviewer from the introduction to an Italian publlication of Antonioni's screenplays.
Encountering Directors interview (1969)