On the Principles of Genial Criticism (1814)
“There are ambiguities in the art of painting but they are the ambiguities of a fine precision: the discovered fact of the image containing at the same time the reverberations of the unknown, the truly mysterious… I would take this further and add that painting is itself precise in its ideas. In the sense that the image is the idea in its purist form.* [*“The image is a principal of our knowledge. It is that from which our intellectual activity begins, not as a passing stimulus but as an enduring foundation””
St. Thomas Aquinas, Opus XVI]
X magazine (1959-62)
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Patrick Swift 60
British artist 1927–1983Related quotes
“In painting it is the forming of the image.”
1950 - 1960
Source: 'In painting it is the forming of the image', Cy Twombly, 'L'Esperienza moderna', 1957; as quoted in Cy Twombly, a monograph, Richard Leeman / picture research Isabelle d’Hauteville. London, 2005 p. 239
transcript of the panel, March 1960, held at the Philadelphia Museum School of Art, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p.61
1950 - 1960
Malevich
Quote of Malevich, in his letter to Konstantin Rozhdestvenskii, 21 April, 1927, private archive, Moscow (transl. Todd Bludeau); as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 27
1921 - 1930
The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)
J. Hanks, trans. (1985), p. 211
The Humiliation of the Word (1981)
In an interview on the BBC arts program 'Omnibus', (1990); as quoted in 'Antoni Tàpies a Painter With Textures, Dies at 88', by William Grimes, in 'The New York Times', 8 Febr, 2012, p. B17
1981 - 1990
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75