“Because his living presence became such an uncommonly global one, that ministry [Jackson’s individual spiritual concerns] reflected universal ecumenical principles dressed up in ultra-modern dance grooves, love songs to nature, lyrical eulogies in the form of musical elegies, and sermons sung with passionate intensity and suffering eloquence.”

— Aberjhani

(from Work and Soul in Michael Jackson’s This Is It).
From Articles, Essays, and Poems, On Michael Jackson

Adopted from Wikiquote. Last update June 3, 2021. History

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Aberjhani 43

author 1957

James Gilliland (1952) American academic and author

Source: Mayan Majix, Comment on Recent Extra Terrestrial Activity http://www.mayanmajix.com/art4538.html

“In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

“Lyrics for songs written for the film; the music for the songs composed by Ennio Morricone.”

Joan Baez (1941) American singer

Sacco e Vanzetti (1971)

“Mary kept the belt of love, and oh, but she was gay!
She danced a jig, she sung a song that took my heart away.”

William Allingham (1824–1889) Irish man of letters and poet

Lovely Mary Donnelly; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“To find out what is truly individual in ourselves, profound reflection is needed; and suddenly we realize how uncommonly difficult the discovery of individuality is.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

“Young Ones.
Darling we're the Young Ones.
Young Ones shouldn't be afraid
To live, love, there's a song to be sung,
Cause we may not
Be the Young Ones
very long.”

Sid Tepper (1918–2015) American songwriter

Song The Young Ones

“Let us never forget that, to be profited, that is, to be spiritually improved in knowledge, faith, holiness, joy, and love, is the end of hearing sermons, and not merely to have our taste gratified by genius, eloquence, and oratory.”

John Angell James (1785–1859) British abolitionist

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 478.

“Under Swati Tirunal’s rule, the forms of music and dance peculiar to Travancore, including - the sapna sangitam (literally: step music) sung on the steps of temples and the dance form of Mohiniattam – were significantly altered, brought closer to the forms of music and dance practiced at Tanjavur. Swapna Sangitam known for its slow renditions and limited improvisation, was altered not only by the influx of new style of composing and singing represented by Vadivelu and other Tanjavur Musicians but also by the very structure of music that Swati Tirunal’s court suggested.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

K.M Panikkar quoted in pp.63-64
About Swathi Thirunal, Singing the Classical, Voicing the Modern: The Postcolonial Politics of ...

“An artist must find his expression closely linked to his individual experience or else follow in the old grooves resulting in lifeless forms.”

Mark Tobey (1890–1976) American abstract expressionist painter

Mark Tobey Retrospective Exhibition, New York, Whitney Museum, 1951
1950's

“I write music with my mouth — first lyrics, then song, then rhythm.”

Tato Laviera (1950–2013) Puerto Rican writer

On his creative process in “An Interview with Tato Laviera, the King of Nuyorican Poetical Migrations” https://www.latinorebels.com/2012/07/11/an-interview-with-tato-laviera-the-king-of-nuyorican-poetical-migrations/ in Latino Rebels (2012 Jul 11)

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Aberjhani 43

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