'The Origin of Art'
Homage to the square' (1964)
“The concern of the artist is with the discrepancy between physical fact and psychological effect.”
Quote from: 'Albers Paints a Picture' Elaine de Kooning, Art News 49, November 1950, p. 40; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 67
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Josef Albers 33
German-American artist and educator 1888–1976Related quotes

“Between memory and reality there are awkward discrepancies…”
2. "Writing of One's Own" (pp. 17–18)
Liuyan [《流言》] (1968)
Context: In this era, the old things are being swept away and the new things are still being born. But until this historical era reaches its culmination, all certainty will remain an exception. People sense that everything about their everyday lives is a little out of order, out of order to a terrifying degree. All of us must live within a certain historical era, but this era sinks away from us like a shadow, and we feel we have been abandoned. In order to confirm our own existence, we need to take hold of something real, of something most fundamental, and to that end we seek the help of an ancient memory, the memory of a humanity that has lived through every era, a memory clearer and closer to our hearts than anything we might see gazing far into the future. And this gives rise to a strange apprehension about the reality surrounding us. We begin to suspect that this is an absurd and antiquated world, dark and bright at the same time. Between memory and reality there are awkward discrepancies, producing a solemn but subtle agitation, an intense but as yet indefinable struggle.

"Introductory Lecture on the Harmony of Theory and Practice in Mechanics" (1856), p. 4

[The modified Newtonian dynamics—MOND and its implications for new physics, arXiv preprint astro-ph/0701848, 27 March 2007, https://arxiv.org/abs/astro-ph/0701848] (p. 2)

"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Context: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.
W. Ross Ashby, "Review of Analytical Biology, by G. Sommerhoff." In: Journal of Mental Science Vol 98 (1952), p. 88; As cited in Peter M. Asaro (2008)

Letter To Carl Alfred Meier (1950)