“What we call objective reality is, in the last analysis, what is common to many thinking beings, and could be common to all; this common part, we shall see, can only be the harmony expressed by mathematical laws. It is this harmony then which is the sole objective reality, the only truth we can attain; and when I add that the universal harmony of the world is the source of all beauty, it will be understood what price we should attach to the slow and difficult progress which little by little enables us to know it better.”

Keynote address, Democratic National Convention, New York (12 July 1976). (see External links)

Source: Alone (1938), Ch. 6
Context: When a man achieves a fair measure of harmony within himself and his family circle, he achieves peace; and a nation made up of such individuals and groups is a happy nation. As the harmony of a star in its course is expressed by rhythm and grace, so the harmony of a man's life-course is expressed by happiness; this, I believe, is the prime desire of mankind.
"The universe is an almost untouched reservoir of significance and value," and man need not be discouraged because he cannot fathom it. His view of life is no more than a flash in time. The details and distractions are infinite. It is only natural, therefore, that we should never see the picture whole. But the universal goal — the attainment of harmony — is apparent. The very act of perceiving this goal and striving constantly toward it does much in itself to bring us closer, and therefore, becomes an end in itself.

The Artful Universe (1995)
Context: Ancient belief in a cosmos composed of spheres, producing music as angels guided them through the heavens, was still fluorishing in Elizabethan times.... There is a good deal more to Pythagorean musical theory than celestial harmony. Besides the music of the celestial spheres (musica mundana), two other varieties of music were distinguished: the sound of instruments...(musica instrumentalis), and the continuous unheard music that emanated from the human body (musica humana), which arises from a resonance between the body and the soul.... In the medieval world, the status of music is revealed by its position within the Quadrivium—the fourfold curriculum—alongside arithmetic, geometry, and astronomy. Medieval students... believed all forms of harmony to derive from a common source. Before Boethius' studies in the ninth century, the idea of musical harmony was not considered independently of wider matters of celestial or ethical harmony.<!-- Ch. 5, pp. 201-202

Jean-Philippe Rameau (1726). Nouveau système de musique théorique, p. 59. Paris.

Arthur's commentary
The Nemesis of Faith (1849)
Context: All, all nature is harmonious, and must and shall be harmony for ever; even we, poor men, with our wild ways and frantic wrongs, and crimes, and follies, to the beings out beyond us and above us, seem, doubtless, moving on our own way under the broad dominion of universal law. The wretched only feel their wretchedness: in the universe all is beautiful. Ay, to those lofty beings, be they who they will, who look down from their starry thrones on the strange figures flitting to and fro over this earth of ours, the wild recklessness of us mortals with each other may well lose its painful interest. Why should our misdoings cause more grief to them than those of the lower animals to ourselves? Pain and pleasure are but forms of consciousness; we feel them for ourselves, and for those who are like ourselves. To man alone the doings of man are wrong; the evil which is with us dies out beyond us; we are but a part of nature, and blend with the rest in her persevering beauty.
Poor consolers are such thoughts, for they are but thoughts, and, alas! our pain we feel.

Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977

On War (1832), Book 3

Source: 1945 - 1964, Interview, 1960, p. 107

"Grizzly Man" (2006)