“Right up until today Pollock [her husband and famous painter; died Aug. 1956] well takes a lot of mine time…. and while you ask 'How much did it take out of me as a creative artist', I ask simultaneously, 'What did it give?' It is a two-way affair at all times. I would give anything to have someone giving me what I was able to give Pollock.”

Quoted in "The Monk might make sense" http://www.theage.com.au/opinion/the-monk-might-make-sense-20100127-mz0v.html#ixzz249o58Ykh, The Age, January 28, 2010.
2010

Source: The Kingdom of Gods (2011), Chapter 14 (p. 347)

pg. 146
Pretty Mess book (2018)

from the song "Still Ill"
From songs

Variant translation: The Policeman said to me, "You want to know the way? Give up! Just give up!" And he turned away like a man that wants to be alone with his laughter.
The Complete Stories (1971)

Letter to his family (31 October 1931) http://www.skeptic.ca/Durruti.htm
Context: From my earliest years, the first thing that I saw was suffering. And if I couldn't rebel when I was a child, it was only because I was an unaware being then. But the sorrows of my grandparents and parents were recorded in my memory during those years of unawareness. How many times did I see our mother cry because she couldn't give us the bread that we asked for! And yet our father worked without resting for a minute. Why couldn't we eat the bread that we needed if our father worked so hard? That was the first question whose answer I found in social injustice. And, since that same injustice exists today, thirty years later, I don't see why, now that I'm conscious of this, that I should stop fighting to abolish it.
I don't want to remind you of the hardships suffered by our parents until we got older and could help out the family. But then we had to serve the so-called fatherland. The first was Santiago. I still remember mother weeping. But even more strongly etched in my memory are the words of our sick grandfather, who sat there, disabled and next to the heater, punching his legs in anger as he watched his grandson go off to Morocco, while the rich bought workers' sons to take their children's place …
Don't you see why I'll continue fighting as long as these social injustices exist?

When asked what inspired him to write 'Tutti Frutti' amd where the style came from, in The Rolling Stone Interviews: 1967-1980 (1989) edited by Peter Herbst, p. 91.

So I brought Pollock up to de Kooning's studio. De Kooning was in a loft at that time because he was something, and that is how Pollock met De Kooning.
n.p.
Oral history interview with Lee Krasner, 1964 Nov. 2 - 1968 Apr. 11

Source: Revelations of Divine Love