“I know every numbskull will babble on about "black man," "maneater," "chance," and "retrospective interpretation," in order to banish something terribly inconvenient that might sully the familiar picture of childhood innocence. Ah, these good, efficient, healthy-minded people, they always remind me of those optimistic tadpoles who bask in a puddle in the sun, in the shallowest of waters, crowding together and amiably wriggling their tails, totally unaware that the next morning the puddle will have dried up and left them stranded.”

— C.G. Jung , book Memories, Dreams, Reflections

On a phallic dream he had as a young child. p. 14
Memories, Dreams, Reflections (1963)

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C.G. Jung 257

Swiss psychiatrist and psychotherapist who founded analytic… 1875–1961

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“As I conclude I reflect on my childhood experience when I would visit a stream next to our home to fetch water for my mother. I would drink water straight from the stream. Playing among the arrowroot leaves I tried in vain to pick up the strands of frogs’ eggs, believing they were beads. But every time I put my little fingers under them they would break. Later, I saw thousands of tadpoles: black, energetic and wriggling through the clear water against the background of the brown earth. This is the world I inherited from my parents. Today, over 50 years later, the stream has dried up, women walk long distances for water, which is not always clean, and children will never know what they have lost. The challenge is to restore the home of the tadpoles and give back to our children a world of beauty and wonder.”

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“A novel is a mirror carried along a high road. At one moment it reflects to your vision the azure skies at another the mire of the puddles at your feet. And the man who carries this mirror in his pack will be accused by you of being immoral! His mirror shews the mire, and you blame the mirror! Rather blame that high road upon which the puddle lies, still more the inspector of roads who allows the water to gather and the puddle to form.”

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Un roman est un miroir qui se promène sur une grande route. Tantôt il reflète à vos yeux l’azur des cieux, tantôt la fange des bourbiers de la route. Et l’homme qui porte le miroir dans sa hotte sera par vous accusé‚ d’être immoral ! Son miroir montre la fange, et vous accusez le miroir! Accusez bien plutôt le grand chemin où est le bourbier, et plus encore l’inspecteur des routes qui laisse l’eau croupir et le bourbier se former.
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“Heaven opened and the water hammered down, reviving the reluctant old well, greenmossing the pigless pigsty, carpet bombing still, tea-colored puddles the way memory bombs still, tea-colored minds.”

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“The more a man knows about himself in relation to every kind of experience, the greater his chance of suddenly, one fine morning, realizing who in fact he is…”

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“I’m black British and I’m from London. And that in itself is something that the world doesn’t know about yet. I met American people – civilians of a first-world country – who were confused that there were black people in London. That’s why entertainment is so special, it’s a great chance to bring people together and open them up to things they haven’t seen before.”

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On the importance of showing Black British people in “John Boyega: I've met Americans who don't know black people live in London” https://www.theguardian.com/film/2019/dec/05/john-boyega-ive-met-americans-who-dont-know-black-people-live-in-london in The Guardian (2019 Dec 5)

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C.G. Jung 257

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