1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
“My wallpaper and I are fighting a duel to the death. One or the other of us has to go.”
As quoted by John Gery in Ways of Nothingness: Nuclear Annihilation and Contemporary American Poetry (1996)
Context: In each art the difficulty of the form is a substitution for the difficulty of direct apprehension and expression of the object. The first difficulty may be more or less overcome, but the second is insuperable; thus every poem begins, or ought to, by a disorderly retreat to defensible positions. Or, rather, by a perception of the hopelessness of direct combat, and a resort to the warfare of spells, effigies, and prophecies. The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.
What Will Get Us Ready (1944)
Context: There is very great need to have the unique aspect of spirit in man and its relation to the divine spirit in the universe freshly interpreted in a world that has become bogged down with material conceptions of life and the world.
There is very great need of a more vital grasp of the unique Person at the headwaters of our faith linked up with the Real Presence of the inward Christ who is the Life of our lives…
Scientific Study of So-Called Psychical Processes in the Higher Animals (1906).
Dalai Lama honours Tintin and Tutu, BBC (Friday, 2 June 2006) http://news.bbc.co.uk/2/hi/europe/5040198.stm
The Epistle to the Romans (1918; 1921)
Context: The known plane is God's creation, fallen out of its union with Him, and therefore the world of the flesh needing redemption, the world of men, and of time, and of things — our world. This known plane is intersected by another plane that is unknown — the world of the Father, of the Primal Creation, and of the final Redemption. The relation between us and God, between this world and His world presses for recognition, but the line of intersection is not self-evident. <!-- p. 29
Draft for a Statement of Human Obligation (1943)
Context: It is impossible to feel equal respect for things that are in fact unequal unless the respect is given to something that is identical in all of them. Men are unequal in all their relations with the things of this world, without exception. The only thing that is identical in all men is the presence of a link with the reality outside the world.
All human beings are absolutely identical in so far as they can be thought of as consisting of a centre, which is an unquenchable desire for good, surrounded by an accretion of psychical and bodily matter.
Mémoires pour servir à l'histoire de Port-Royal (1752), as cited by M. A. Screech in Laughter at the Foot of the Cross (1997), p. 69
