“As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. … I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction.”

— Jean Paul Sartre , book Nausea

Diary entry of Friday 3:00pm (9 February?)
Nausea (1938)

Adopted from Wikiquote. Last update June 3, 2021. History

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Do you have more details about the quote "As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that …" by Jean Paul Sartre?

Jean Paul Sartre 321

French existentialist philosopher, playwright, novelist, sc… 1905–1980

Patrick Marber Closer

Source: Closer

“When I look at my old pictures, all I can see is what I used to be but am no longer. I think: What I can see is what I am not.”

Aleksandar Hemon The Lazarus Project

Source: The Lazarus Project

“• Dan: I love you.
• Alice: Where?
• Dan: What?
• Alice: Show me. Where is this 'love'? I can't see it, I can't touch it, I can't feel it. I can hear it, I can hear some words but I can't do anything with your easy words.”

Patrick Marber Closer

Source: Closer

“Yes it was 1949. How I came to that. That's like how one gets to know a human being. It so happens that I've always had a preference – as everyone has prejudices and preferences – for the square as a shape in preference to the circle as a shape. And I have known for a long time that a circle always fools me by not telling me whether it's standing still or not. And if a circle circulates you don't see it. The outer curve looks the same whether it moves or does not move. So the square is much more honest and tells me that it is sitting on one line of the four, usually a horizontal one, as a basis. And I have also come to the conclusion that the square is a human invention, which makes it sympathetic to me. Because you don't see it in nature. As we do not see squares in nature, I thought that it is man-made. But I have corrected myself. Because squares exist in salt crystals, our daily salt. We know this because we can see it in the microscope. On the other hand, we believe we see circles in nature. But rarely precise ones. Mature, it seems, is not a mathematician. Probably there are no straight lines either. Particularly not since Einstein says in his theory of relativity that there is no straight line, rod knows whether there are or not, I don't. I still like to believe that the square is a human invention. And that tickles me. So when I have a preference for it then I can only say excuse me.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

“I see time away hasn’t made you any more charming. (Fang)
Oh, I can be charming. I just choose not to. People start to think you like them, then when you stab them in the back, they take it so personally. Really pisses me off. (Thorn)”

Sherrilyn Kenyon (1965) Novelist

Source: Bad Moon Rising

“I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that?”

Elizabeth Hand (1957) American writer

Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

“My doubts stand in a circle around every word, I see them before I see the word, but what then! I do not see the word at all, I invent it.”

Franz Kafka (1883–1924) author

Source: Diaries, 1910 1923

“I charm in vain; for never again,
All keenly as my glance I bend,
Will Memory, goddess coy,
Embody for my joy
Departed days, nor let me gaze
On thee, my fairy friend!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

"To my Child-friend" in The Game Of Logic (1886)

“I emphasize that I am full of ambition and hope and of full charm of life. But I can renounce all at the time of need, and that is the real sacrifice.”

Bhagat Singh (1907–1931) Indian revolutionary

Selected writings of Shaheed Bhagat Singh (1986), p. 65
Context: I emphasize that I am full of ambition and hope and of full charm of life. But I can renounce all at the time of need, and that is the real sacrifice. These things can never be hinderance in the way of man, provided he be a man. You will have the practical proof in the near future.

“These are all concepts. I make a lot of ideas and inserts. And this is what I just created. I don't write the map by hand anymore; I use illustrator instead to do the map. It has about five layers.”

Hirokazu Yasuhara (1965) Japanese video game designer

Gamasutra interview (2008)

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Jean Paul Sartre 321

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