Pegasus, St. 3 & 4, p. 181
The New Book of Days (1961)
Context: He could not be captured,
He could not be bought,
His running was rhythm,
His standing was thought;
With one eye on sorrow
And one eye on mirth,
He galloped in heaven
And gambolled on earth. And only the poet
With wings to his brain
Can mount him and ride him
Without any rein,
The stallion of heaven,
The steed of the skies,
The horse of the singer
Who sings as he flies.
“For his chaste Muse employ'd her heaven-taught lyre
None but the noblest passions to inspire,
Not one immoral, one corrupted thought,
One line which, dying, he could wish to blot.”
Prologue to Thomson's Coriolanus; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
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George Lyttelton, 1st Baron Lyttelton 8
British politician 1709–1773Related quotes
C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire.
Grand Traité d'Instrumentation et d'Orchestration Modernes (1844) http://www.hberlioz.com/Scores/BerliozTraite.html#Violon; Mary Cowden Clarke (trans.) A Treatise upon Modern Instrumentation and Orchestration (London: J. Alfred Novello, 1856) p. 25.
Of the violin.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 121.
Standing by Words: Essays (2011), Poetry and Marriage: The Use of Old Forms (1982)