“So art lies hid by its own artifice.”

Book X, 252
Metamorphoses (Transformations)

Original

Ars adeo latet arte sua.

Adopted from Wikiquote. Last update Oct. 1, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "So art lies hid by its own artifice." by Ovid?
Ovid photo
Ovid 120
Roman poet -43–17 BC

Related quotes

Arthur Symons photo

“All art is a form of artifice. For in art there can be no prejudices.”

Arthur Symons (1865–1945) British poet

Preface to Silhouettes kindle ebook 2012 ASIN B0082UH208.

Herbert Read photo
Paul Valéry photo

“The artist works out his own formulas; the interest of science lies in the art of making science.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Moralités (1932)
Context: Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.

Attar of Nishapur photo
Herbert Marcuse photo

“Society is basically not interested in art. Art has a purpose of its own.”

Donald Judd (1928–1994) artist

Chinati: Judd’s Concretes Re-open http://adobeairstream.com/art/chinati-judds-concretes-re-open, AdobeAirstream.com, 9 October 2009
Attributed from posthumous publications

Paul Valéry photo
Patrick Swift photo

“Each work of art is a complete entity existing in its own right and by its own particular logic.”

Patrick Swift (1927–1983) British artist

Nano Reid (1950)
Context: Each work of art is a complete entity existing in its own right and by its own particular logic. It has its own reality and is independent of any particular creed or theory as a justification for its existence. This is not to say that artistic development may be considered as a self-sufficient process unrelated to social reality, because art is always concerned with the deeper and fundamentally human things; and any consideration of art is a consideration of humanity. But it does mean that we cannot apply the principles and logic of the past to a new work of art and hope to understand it. The eternal verities with which the artist is concerned do not change, but our conception of art does, as does our conception of form, and these must be extended if we are to understand fully and basically the meaning of a new work. It is a complex matter, but the elemental principles are always simple. The mass of modern art theory that developed around the fantastic changes of this century's painting can be largely ignored; only one or two fundamental principles are important. Probably most important in the new aesthetics from the painter's point of view was the statement of Degas, seventy years ago, in his unheeded advice to the Impressionists. He spoke then of a "Transformation in which imagination collaborates with memory... It is very well to copy what one sees; it is much better to draw what one has retained in one's memory”…This attitude, and all it implies, underlines the work of practically every painter of importance since 1900. Ultimately, it meant that the day of stage props and models was gone, and that imagination was recognised as the most important quality in an artist.

Robert Pinsky photo

“Each work of art generate its own rules”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Singing School

Andy Goldsworthy photo

“Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.”

Andy Goldsworthy (1956) British sculptor and photographer

"Residency on Earth" in Art in America (April, 1995)

Related topics