I had no money. Just a Rucksack and a hammer. And I started these assemblages. That was in 1921, But in all books on assemblages these things are not mentioned.
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
“I discovered soon that teaching has the handicap of retrospection. And that I don't believe in. So I started [at the w:Bauhaus in Dessau] instead a method of handling material with the material itself. So that was my main change. Whereas Itten before [Itten left the Bauhaus in 1923 and Albers followed him as art-teacher] had only spoken about the appearance, 'matiere' - (the French word) and I said I would turn from 'matiere' - the outside - to the inside, to the capacity of the material, before the appearance. And that changed the attitude basically I think.”
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
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Josef Albers 33
German-American artist and educator 1888–1976Related quotes

As quoted in "For those who have no place to live" A story spun by Miri Yu" in Teller Report (17 December 2020) https://www.tellerreport.com/life/2020-12-17-%0A---%22for-those-who-have-no-place-to-live%22-a-story-spun-by-miri-yu-%0A--.B1br_RudnD.html

Quoted in "Trial of the Major War Criminals Before the International Military Tribunal" - Nuremberg, Germany - 1948.
“I started working with my dreams, because I'm not so censored when I use dream material.”
Kathy Acker: Where does she get off?
Context: I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.
Erika Jayne interview (Daily Mail) http://www.dailymail.co.uk/tvshowbiz/article-5500765/Erika-Girardi-details-difficult-upbringing-successful-career.html (2018)
Source: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459

“I don't compose. I assemble materials.”
Aaron Copland: the Life and Work of an Uncommon Man, ISBN 0805049096.