“The painted, engraved, and carved images of prehistory are threads from past cultures, and we are foreigners trying to interpret their meaning. Perhaps more than anything else, art can be fully understood only in the context of the culture that produced it.”

— Richard Leakey

Origins Reconsidered: In Search of What Makes Us Human (1992)

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Richard Leakey 39

Kenyan paleoanthropologist, conservationist, and politician 1944

Melissa Farley (1942) American psychologist

Prostitution, Trafficking, and Cultural Amnesia (2006)
Context: U. S. prostitution can be understood in the context of the cultural normalization of prostitution as a glamorous and wealth-producing “job” for girls who lack emotional support, education, and employment opportunities. The sexual exploitation of children and women in prostitution is often indistinguishable from incest, intimate partner violence, and rape.

“These people in the North-east of Ireland, from old prejudices perhaps more from anything else, from the whole of their past history, would prefer, I believe, to accept the government of a foreign country rather than submit to be governed by honourable gentlemen below the gangway”

Bonar Law (1858–1923) Former Prime Minister of the United Kingdom

i.e. the Irish Nationalist Party
Speech http://hansard.millbanksystems.com/commons/1913/jan/01/clause-1-establishment-of-irish in the House of Commons (1 January 1913) rejecting the Home Rule Bill

“Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)
Context: Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?<!-- Introduction

“Nothing is more alien to the present age than idleness. If we think of resting from our labours, it is only in order to return to them. In thinking so highly of work we are aberrant. Few other cultures have ever done so. For nearly all of history and all prehistory, work was an indignity.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

As It Is: Sisyphus's Progress (p. 195)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

“All art is probably erotic in its ultimate character, but painting more than anything else is a purely nervous erotic activity.”

Patrick Swift (1927–1983) British artist

"Some Notes on Caravaggio" (Nimbus 1956).

“The more local and settled a culture, the better it stays put, the less the damage. It is the foreigner whose road of excess leads to a desert … a man with a machine and inadequate culture … is a pestilence. He shakes more than he can hold.”

Wendell Berry (1934) author

"Damage".
What Are People For? (1990)

“Architecture differs from a work of art, which can be displayed in different settings and the subject-matter, form and meaning will remain unchanged. The physicality of any built structure can be altered over time as additions and alterations are made. Moreover, a building or work of architecture can change its function as it meets the different demands of its occupants, although its exterior appearance may be unaltered. And its meaning may change depending on the nature of the context. This reveals some of the problems of interpreting historic architecture from a modern-day perspective as the physical changes and different cultural contexts transform the object.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

“"The meaning of culture" is nothing less than the conduct of life itself, fortified, thickened, made more crafty and subtle, by contact with books and with art.”

John Cowper Powys (1872–1963) British writer, lecturer and philosopher

Source: The Meaning of Culture (1929), p. 134

“The ‘Romeo and Juliet’ story, we’re so past that. I have a very deep respect for art, but I also think we have a lot to learn from pop culture. And that is the future. Either you can ignore it and be stuck in the past, or you can learn from it.”

Danny Tidwell (1984) American dancer

In response to critics and ballet fans who say Tidwell "sold-out" by auditioning on So You Think You Can Dance
La Rocco Claudia. "TV Viewers Discover Dance, and the Debate Is Joined" http://www.nytimes.com/2007/09/21/arts/dance/21revo.html?ref=dance#, The New York Times, September 21, 2007

“I don't think it is wrong, racist, immoral or anything, for a country to say 'we will decide what the cultural identity and the cultural destiny of this country will be and nobody else.”

John Howard (1939) 25th Prime Minister of Australia

Quoted in "Howard reasserts right to decide cultural identity," The Age, 20 September 1988.

“The painted, engraved, and carved images of prehistory are threads from past cultures, and we are foreigners trying to interpret their meaning. Perhaps more than anything else, art can be fully understood only in the context of the culture that produced it.”

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