“How do things stand, now, if the subject contains a large element of pathos?... Consider such an interesting subject as the scene taking place around the bed of a dying woman, for example; seize and render that ensemble by photography, if that is possible [photography was a very recent invention in Paris ca. 1853, a. o. by the photographer Nadar ]: it will be falsified in a thousand ways. The reason is that, according to the degree of your imagination, the subject will appear to you more or less beautiful, you will be more or less the poet in that scene in which you are an actor; you see only what is interesting, whereas the instrument puts in everything.”

In Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 233
quote circa 1853, in which Delacroix relates painting to theater from the view of the visitor / spectator
1831 - 1863

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French painter 1798–1863

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