“Of all the people insistently expressing their mental vacuity, none has a better excuse for an empty head than the newspaperman: If he pauses to restock his brain, he invites onrushing headlines to trample him flat.”

Gawin Goodluck, Act V, sc. ii.
Ralph Roister Doister (c. 1553)

1960s, What Has Happened to America? (1967)
Context: There can be no right to revolt in this society; no right to demonstrate outside the law, and, in Lincoln's words, 'no grievance that is a fit object of redress by mob law'. In a civilized nation no man can excuse his crime against the person or property of another by claiming that he, too, has been a victim of injustice. To tolerate that is to invite anarchy.

Quoted by her step-daughter Violet in The Listener, June 11, 1953.
Of F. E. Smith.

Source: Uncle Silas (1864), Ch. 47

On Chopin's E major Prelude Op.28 No.9, quoted in Harold C. Schonberg, The Great Pianists.

On his character in The Colbert Report in an interview on Larry King Live (11 October 2007) http://www.cnn.com/CNN/Programs/larry.king.live/
Context: We worked very hard to keep him from being a jerk by keeping in mind he's well intentioned. Just poorly informed. He wants to do the right thing but has none of the tools to achieve it. Because he has no curiosity, he doesn't like to read and he won't listen anybody, except the voices in his head.

"Energy and Equity" (1974).
Context: The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role. Addicted to being carried along, he has lost control over the physical, social, and psychic powers that reside in man's feet. The passenger has come to identify territory with the untouchable landscape through which he is rushed. He has become impotent to establish his domain, mark it with his imprint, and assert his sovereignty over it. He has lost confidence in his power to admit others into his presence and to share space consciously with them. He can no longer face the remote by himself. Left on his own, he feels immobile.
The habitual passenger must adopt a new set of beliefs and expectations if he is to feel secure in the strange world where both liaisons and loneliness are products of conveyance. To "gather" for him means to be brought together by vehicles. He comes to believe that political power grows out of the capacity of a transportation system, and in its absence is the result of access to the television screen. He takes freedom of movement to be the same as one's claim on propulsion. He believes that the level of democratic process correlates to the power of transportation and communications systems. He has lost faith in the political power of the feet and of the tongue. As a result, what he wants is not more liberty as a citizen but better service as a client. He does not insist on his freedom to move and to speak to people but on his claim to be shipped and to be informed by media. He wants a better product rather than freedom from servitude to it. It is vital that he come to see that the acceleration he demands is self-defeating, and that it must result in a further decline of equity, leisure, and autonomy.

From Delacroix to Neo-Impressionism, 1899