“His [ Edouard Manet's] paintings, as they always do, produce the impression of a wild or even a somewhat unripe fruit. I do not in the least dislike them.”

—  Berthe Morisot

Quote of Berthe 1864-65 in a letter to her sister Edma Morisot; as cited in Berthe Morisot, the first lady of Impressionism, Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3) 1996, p. 50
1860 - 1870

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Berthe Morisot photo
Berthe Morisot 36
painter from France 1841–1895

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Berthe Morisot (1841–1895) painter from France

In a letter of Berthe, from Paris, to Edma who stayed then in Brittany, 1870; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, p. 72
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“I think that it will be a great success, that all this painting [of Edouard Manet, shortly after his death], so fresh, so vital, will electrify the 'Palais des Beaux Arts' [in Paris], which is accustomed to dead art. It will be the revenge for so many rebuffs, but a revenge that the poor boy only in his grave.”

Berthe Morisot (1841–1895) painter from France

in a letter to her sister Edma Morisot, c. Jan 1884; as cited in: Impressionist quartet, ed. Jeffrey Meyers; publishers, Harcourt, 2005, p. 124
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“To use bitter words, when kind words are at hand,
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“We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce.”

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Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 183: Serge Fauchereau (1988) in Arp, p. 20 commented: 'Even though his work was nonrepresentational, Arp disapproved of the term 'abstract art' being applied to it, as he often explained with the above quote'.
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1995 and later

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