Quote from an interview with w:Elaine de Kooning, 'Hans Hofmann paints a picture', 1950; in Artnews, February 1950, 38 (article 38-41 and 58-59)
1950s
“I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same. I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow. I realized that one cannot reveal oneself without mannerism, without some evident trace of one's personality. But all the same one should not go too far in that direction..”
Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265
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Georges Braque 43
French painter and sculptor 1882–1963Related quotes

“The world doesn't make sense, so why should I paint pictures that do?”

Letter to a client, Mr Carpenter (23 July 1828), as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 291
1820s

Source: after 2000, Doubt and belief in painting' (2003), p. 43, note 36 : quote on his start with photography

Braque is referring in this quote to the early common start of Cubism ca. 1907 -1910, in Paris with Picasso
Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), from John Constable's Correspondence, part 6, pp. 76-78
1820s

Boisgeloup, winter 1934
Richard Friendenthal (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35

Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95

Quote in a letter to 'The World', London 22 Mai, 1878; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903