“In fact, there may be a day in the near future when you find yourself in a conversation about this book, and someone will ask you what the story is really about, beyond the rudimentary narrative of a cross-country death trip based on a magazine article. And it's very likely you will say, "well, the larger thesis is somewhat underdeveloped, but there is this point early in the story where he takes a woman to Ithaca for no real reason, and it initially seems innocuous, but - as you keep reading - you sort of see how this behaviour is a self-perpetuating problem that keeps reappearing over and over again." In all probability, you will also complain about the author's reliance on self-indulgent, postmodern self-awareness, which will prompt the person you're conversing with to criticize the influence of Dave Eggers on the memoir-writing genre. Then your cell phone will ring, and you will agree to meet someone for brunch.”

Killing Yourself to Live: 85% of a True Story (2005)

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Chuck Klosterman 77
Author, Columnist 1972

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“When you write you tell yourself a story. When you rewrite you take out everything that is NOT the story.”

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Variant: When you write a story, you’re telling yourself the story,” he said. “When you rewrite, your main job is taking out all the things that are not the story.
Source: On Writing: A Memoir of the Craft

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