“Historicism runs counter to the specific capacity of the literary work to escape the limits of historical time, to allow for the cross-generational flourishing of tradition, and open the present to a multidimensional temporality.”

— Russell Berman

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 20.

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Russell Berman 17

American academic 1950

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“The failing of contemporary criticism is double: Hand in hand with the suppression of aesthetic autonomy, one finds also a growing reluctance to recognize the complex and dynamic temporality of literature. By dynamic temporality I mean that immanent sense of time within the literary work, its ability to reach backward, as part of a tradition, and forward, as a vehicle of innovation and anticipation. This sort of temporality is quite different from a single-minded and frequently reductionist focus on historical context.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 5.

“The assertion of the priority of contemporaneity, the celebration of the present, defines the politics of periodization. It is either a matter of our present, defined as the vanguard of historical progress, or it is the historical present of the objects of study, presumed to be fully grounded in that single, isolated moment of time. In either case, the classificatory impulse inherent in periodization tends to proscribe the more complex temporalities of tradition and anticipation.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 20.

“This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.”

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Context: The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.

“In portraits you need a lot of general, very little of specific. Usually there is too much specificity, always too much... For a portrait to really work well for me, I need for it to be hardly a portrait. Almost for it to no longer be a portrait. It is then that it begins working at full capacity. I like things carried to the extreme limits of what is possible.”

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“Benjamin describes the revolutionary moment when the past suddenly bursts into the present, as if rising from the grave to rectify the wrongs it suffered at the hands of a banally triumphant progress. Thus Benjamin’s historical materialism implies a capacity to link otherwise separate and distant moments in time through a profound empathy. The empathy takes on a revolutionary character by disrupting the regularity of quotidian temporality. Without this sort of tie to the past, no critical stance in the present is possible.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 18.

“The vanity of others runs counter to our taste only when it runs counter to our vanity.”

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“If there's any real truth, it's that the entire multidimensional infinity of the Universe is almost certainly being run by a bunch of maniacs.”

Douglas Adams (1952–2001) English writer and humorist

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“The people who have sufficient passion for the truth to give the truth a chance to prevail, if it runs counter to their bias, are in a minority. How important is this "minority?" It is difficult to say at this point, for, at the present time their influence on governmental decisions is not perceptible.”

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“Hayek ripped G. W. F. Hegel in The Counter-Revolution of Science’s third part for his “historicism”—the idea, in Hayek’s terminology, that history moves in set and predictable stages. He considered this idea fatally flawed and societies that were based on it to be unsuccessful, unproductive, and unfree. Historicism denies free will. The future is what we make of it.”

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“The relevance of canonicity has nothing to do with the notion of codified establishments of hierarchical judgment (for which it typically attracts revisionist hostility). Instead, canonicity is important as the capacity to permit vibrant reading relationships to works from the past. … Whatever else the canon may do, its primary function has been the preservation of the reception of literature across periodic borders, thereby calling into question the significance of those borders or the fetishism of contexts. The canon tunnels under the Berlin Wall that periodizers erect between literary regimes. As a fundamental level, therefore, periodization stands at odds with canonicity. Canonicity maintains, cultivates, and develops community over time and across generations; periodization breaks up that identity and suppresses the historical continuities through a strategy of temporal separation.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 19.

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