“Dawn of the Dead is one of the most prophetic and disturbing films you’ll see, and I challenge you to find anyone who can find another film from that era which provides the same level of social commentary.”

Narrated Abdullah ibn Abbas, in AbuDawud, Book 38, Number 4447
Sunni Hadith

Source: The Movie Experience: Conversation with actress Shima Iwashita and director Masahiro Shinoda/Advice to Students http://globetrotter.berkeley.edu/conversations/Shinoda_Iwashita/shinoda_iwashita5.html (February 27, 1999)

"Wong Kar-wai by Han Ong" in Bomb Magazine (1 Janaury 1998) https://bombmagazine.org/articles/wong-kar-wai-1/

Quien asciende peldaño a peldaño, se halla siempre a la altura de un peldaño.
Voces (1943)

Review of The Tree of Life (2 June 2011) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110602/REVIEWS/110609998
Reviews, Four star reviews
Context: Terrence Malick's The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives. The only other film I've seen with this boldness of vision is Kubrick's 2001: A Space Odyssey, and it lacked Malick's fierce evocation of human feeling. … I don't know when a film has connected more immediately with my own personal experience. In uncanny ways, the central events of The Tree of Life reflect a time and place I lived in, and the boys in it are me. If I set out to make an autobiographical film, and if I had Malick's gift, it would look so much like this. … There is a father who maintains discipline and a mother who exudes forgiveness, and long summer days of play and idleness and urgent unsaid questions about the meaning of things. … The film's portrait of everyday life, inspired by Malick's memories of his hometown of Waco, Texas, is bounded by two immensities, one of space and time, and the other of spirituality. The Tree of Life has awe-inspiring visuals suggesting the birth and expansion of the universe, the appearance of life on a microscopic level and the evolution of species. This process leads to the present moment, and to all of us. We were created in the Big Bang and over untold millions of years, molecules formed themselves into, well, you and me.
And what comes after? In whispered words near the beginning, "nature" and "grace" are heard. … The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time.

Terry Gilliam's flying circus (2006)
Context: I like the Coen brothers. Their films are smart and disturbing. I am very impressed by what George Clooney is doing now. He is very political. I like the fact that he did Oceans Eleven and Oceans Twelve, made all that money and then leveraged the money and his success into interesting projects. Johnny Depp has also set up a production company and is showing an interest in risky projects that will not be easy.
I am sorry that it is hard for the average person, and even for an above-average person, to see a film that is not a Hollywood production. You see those films only in the festivals. There are few people there. That is worrying. People don't think. My goal in work is to make them think. The media do the opposite.

Variant: A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.
Source: The Critic as Artist (1891), Part II

Source: https://www.huffpost.com/entry/exclusive-interview-with-_37_b_11591236 During an interview (December 6 2017)

Source: "Hot Docs 2017 Interview: Nanfu Wang on “I Am Another You”" in Roger Ebert https://www.rogerebert.com/interviews/hot-docs-2017-interview-nanfu-wang-on-i-am-another-you (3 May 2017)