“Asimov: Battlestar Galactica for instance, started off with twenty to thirty minutes of space battles which looked exactly like air battles in World War I. You could swear that the space ships were surrounded by air the way the maneuvered. One felt it was unworthy.
SWA Magazine: The Vipers in Battlestar Galactica look like jets. Is this a realistic design for the future?
Asimov: It is as if people in the 1880s were writing fantasy stories about airplanes of the future and they had the pilots lean back at the wheel and yell "whoa" and the airplane came to a halt in mid-air.”

— Isaac Asimov

An Interview with Isaac Asimov (1979)

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Isaac Asimov 303

American writer and professor of biochemistry at Boston Uni… 1920–1992

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“Asimov: Well, I liked Star Wars. I thought Battlestar Galactica was such a close imitation of Star Wars, emphasizing the less attractive portions, that I was a little impatient with it.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

An Interview with Isaac Asimov (1979)

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“SWA Magazine: Talking about spacecraft, what do you think about the shuttle program?
Asimov: Well, I hope it does get off the ground. And I hope they expand it, because the shuttle program is the gateway to everything else. By means of the shuttle, we will be able to build space stations and power stations, laboratory facilities and habitations, and everything else in space.
SWA Magazine: How about orbital space colonies? Do you see these facilities being built or is the government going to cut back on projects like this?
Asimov: Well, now you've put your finger right on it. In order to have all of these wonderful things in space, we don't have to wait for technology - we've got the technology, and we don't have to wait for the know-how - we've got that too. All we need is the political go-ahead and the economic willingness to spend the money that is necessary. It is a little frustrating to think that if people concentrate on how much it is going to cost they will realize the great amount of profit they will get for their investment. Although they are reluctant to spend a few billions of dollars to get back an infinite quantity of money, the world doesn't mind spending $400 billion every years on arms and armaments, never getting anything back from it except a chance to commit suicide.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

An Interview with Isaac Asimov (1979)

“It might seem crazy what I’m about to say
Sunshine she’s here, you can take away
I’m a hot air balloon that could go to space
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“You occupied my space. But because you were not in my present, when I looked into my future I saw… nothing. Isn't that sad? And stupid?”

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“I'd come from a long ways off and had started from a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.”

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Context: I was heading for the fantastic lights. No doubt about it. Could it be that I was being deceived? Not likely. I don't think I had enough imagination to be deceived; had no false hope, either. I'd come from a long ways off and had started from a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.

“We wanted to start a magazine, and Allison Wolfe and Molly Neuman from the band Bratmobile had started a little fanzine called Riot Grrrl and we were writing little things for it. I'd always wanted to start a big magazine with really cool, smart writing in it, and I wanted to see if the other punk girls in D. C. that I was meeting were interested in that. So I called a meeting and found a space for it, and it just turned into this sort of consciousness-raising thing. I realized really quickly that a magazine wasn't the way to go. People wanted to be having shows, and teaching each other how to play music, and writing fanzines, so that started happening. It got some press attention, and girls in other places would be like "I wanna do that. I wanna start one of those."”

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“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

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Isaac Asimov 303

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