Herb Goldberg quote: “He treats people as objects for manipulation.One part of this orientation was cogently expressed by Dorothy Schiff, one…”

“America has a very serious problem. Not only does America have a very serious problem, but our people have a very serious problem. America's problem is us. We're her problem. The only reason she has a problem is she doesn't want us here.”

Malcolm X (1925–1965) American human rights activist

Statement in Detroit, Michigan (10 November 1963).
Attributed

“When people would come in with non-specific problems and we never quite got to the root of a medical diagnosis, it always seemed to me they were expressing problems in living, and that one needed to look at their problems in living, and how they manifested themselves in physical problems.”

Michael Marmot (1945) Professor of Epidemiology and Public Health

Interview, 18 March 2002

“The problem is that the people with the most ridiculous ideas are always the people who are most certain of them.”

Bill Maher (1956) American stand-up comedian

The Decider (21 July 2007)

“Too many people go through life complaining about their problems. I've always believed that if you took one tenth the energy you put into complaining and applied it to solving the problem, you'd be surprised by how well things can work out.”

Randy Pausch book The Last Lecture

The Last Lecture (2008)

“Life's most important questions are, for the most part, nothing but probability problems.”

Pierre-Simon Laplace (1749–1827) French mathematician and astronomer

citation needed
"Les questions les plus importantes de la vie ne sont en effet, pour la plupart, que des problèmes de probabilité."

“The Baroness was like Jesus Christ and Shakespeare all rolled into one and perhaps she was the most influential person to me in the early part of my life.”

Berenice Abbott (1898–1991) American photographer

Quoted in Baroness Elsa: Gender, Dada and Everyday Modernity, 2002.
Referring to Elsa von Freytag-Loringhoven

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

“However ignorant a person may be, he or she can always moralize. And it is the propensity to moralize that takes up most of the space for public discussion in contemporary society.”

Kenneth Minogue (1930–2013) Australian political theorist

Source: The Servile Mind: How Democracy Erodes the Moral Life, pp. 214-215
Context: For it is a conspicuous feature of democracy, as it evolves from generation to generation, that it leads people increasingly to take up public positions on the private affairs of others. Wherever people discover that money is being spent, either privately or by public officials, they commonly develop opinions on how it ought to be spent. In a state increasingly managed right down to small details of conduct, each person thus becomes his own fantasy despot, disposing of others and their resources as he or she thinks desirable. And this tendency itself results from another feature of the moral revolution. Democracy demands, or at least seems to demand, that its subjects should have opinions on most matters of public discussion. But public policy is a complicated matter and few intelligent comments can be made without a great deal of time being spent on the detail. On the other hand, every public policy may be judged in terms of its desirability. However ignorant a person may be, he or she can always moralize. And it is the propensity to moralize that takes up most of the space for public discussion in contemporary society.

“[On his childhood problems and his father's second marriage to Helen] It was very difficult in the beginning, when everybody was talking about it. My mother just couldn't take it. It hurt her terribly. She used to worry all the time, go in to depression frequently. When she cried, we children used to cry with her”

Salman Khan (1965) Indian film actor

Quotes By Salman

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