“Whom could this operetta offend? Only those of us who, despite the fact that we may respond, loathe being manipulated in this way and are aware of how cheap and ready-made are the responses we are made to feel. We may become even more aware of the way we have been turned into emotional and aesthetic imbeciles when we hear ourselves humming the sickly, goody-goody songs. The dauntless, scrubbed-face heroine (Julie Andrews), in training to become a nun, is sent from the convent to serve as governess to the motherless Von Trapp children, and turns them into a happy little troupe of singers before marrying their father (Christopher Plummer). She says goodbye to the nuns and leaves them outside at the fence, as she enters the cathedral to be married. Squeezed again, and the moisture comes out of thousands--millions--of eyes and noses. Wasn't there perhaps one little Von Trapp who didn't want to sing his head off, or who screamed that he wouldn't act out little glockenspiel routines for Papa's party guests, or who got nervous and threw up if he had to get on a stage? The only thing the director, Robert Wise, couldn't smooth out was the sinister, archly decadent performance by Christopher Plummer--he of the thin, twisted smile; he seems to be in a different movie altogether.”

Source: The Courage to Create (1975), Ch. 5 : The Delphic Oracle as Therapist, p. 99
Context: The self is made up, on its growing edge, of the models, forms, metaphors, myths, and all other kinds of psychic content which give it direction in its self-creation. This is a process that goes on continuously. As Kierkegaard well said, the self is only that which it is in the process of becoming. Despite the obvious determinism in human life — especially in the physical aspect of ones self in such simple things as color of eyes, height relative length of life, and so on — there is also, clearly, this element of self-directing, self-forming. Thinking and self-creating are inseparable. When we become aware of all the fantasies in which we see ourselves in the future, pilot ourselves this way or that, this becomes obvious.

“In these great times,” Harry Zohn, trans., In These Great Times (Montreal: 1976), p. 74

Source: The Age of Fallibility: Consequences of the War on Terror

Out of Their Own Mouths: A Revelation and an Indictment of Sovietism, New York: NY, E.P Dutton and Company (1921) p. 84. Resolution from the Petrograd workers, (Sept. 5, 1920). Co-authored by William English Walling.

Fifth Harmony Was Just The Beginning For Lauren Jauregui, Nylon Magazine, September 5, 2018 https://www.youtube.com/watch?v=YtrtUi4Vmnw,

Translation from the Dhammapada of Gautama Buddha, as translated in The Dharma, or The Religion of Enlightenment; An Exposition of Buddhism (1896)

Source: Pali Canon, Sutta Pitaka, Khuddaka Nikaya (Minor Collection), Dhammapada, Ch. 165, as translated in The Dharma, or The Religion of Enlightenment; An Exposition of Buddhism (1896) by Paul Carus; variants for some years have included "We ourselves must walk the path but Buddhas clearly show the way", but this is not yet located in any of the original publications of Carus.

Section 151, p. 93
The Passionate State Of Mind, and Other Aphorisms (1955)

In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000