“My dear Theo, Feeling, even a fine feeling, for the beauties of nature isn't the same as religious feeling, although I believe that the two are closely connected. The same is true of a feeling for art. Don't give in to that too much either. Hold fast especially to your love for the firm [of the Paris' art dealers Goupil & C0, where both brothers worked - Vincent started in 1869 and Theo in 1873] and for your work.... Nearly everyone has a feeling for nature, some more than others, but there are few who feel that God is a spirit, and that they must worship Him in spirit and in truth. Pa is one of the few, Ma too, and also Uncle Vincent, I believe.”

Source: Adultery

Goupil and Co.
Quote in his letter to brother Theo from The Hague, The Netherlands (13 December 1872); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 17 (letter 2)
Vincent's profession then was picture dealer at Goupil and Co., with branches a. o. in The Hague, London and Paris
1870s

On performing before a live audience in "Julio Iglesias says 50-year singing career is 'a miracle'" https://www.reuters.com/article/us-people-julio-iglesias/julio-iglesias-says-50-year-singing-career-is-a-miracle-idUSKCN1T60WU in Reuters (2019 Jun 5)

JPod (2006)

Letter to B. Kramers, 1926, as quoted in: Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 18 (English translation: Charlotte Burgmans)
1920's

Source: Philosophical Sketches (1962), Ch. 5, p. 94

Lecture XX, "Conclusions"
1900s, The Varieties of Religious Experience (1902)
Context: Both thought and feeling are determinants of conduct, and the same conduct may be determined either by feeling or by thought. When we survey the whole field of religion, we find a great variety in the thoughts that have prevailed there; but the feelings on the one hand and the conduct on the other are almost always the same, for Stoic, Christian, and Buddhist saints are practically indistinguishable in their lives. The theories which Religion generates, being thus variable, are secondary; and if you wish to grasp her essence, you must look to the feelings and the conduct as being the more constant elements. It is between these two elements that the short circuit exists on which she carries on her principal business, while the ideas and symbols and other institutions form loop-lines which may be perfections and improvements, and may even some day all be united into one harmonious system, but which are not to be regarded as organs with an indispensable function, necessary at all times for religious life to go on. This seems to me the first conclusion which we are entitled to draw from the phenomena we have passed in review.

Quote of Malevich, 1927 in: Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 451
Malevich valued Cezanne's art as a temporarily necessary but still 'provincial art' in the long developing line of modern art
1921 - 1930

Quote in his letter to brother Theo, from Arles, Autumn 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 540), pp. 22-23
1880s, 1888