As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)
“People call my music complex because I will have instruments playing at their own paces, as if the other instruments weren't even there. It doesn't march along in the same way that most older music does. But to me, I honestly don't think that a work like Debussy's La Mer is any less complex than my work. It's full of all sorts of sounds and textures going on at once, yet we still look at is as beautiful, structured and fluid. That's all I'm trying to do; I'm not out to compose for complexity's sake.”
From American Gothic: An Interview with Elliott Carter http://edwebproject.org/carter.html (1993) by Andy Carvin.
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Elliott Carter 6
American composer 1908–2012Related quotes
A Conversation with Ward Cunningham (2003), The Simplest Thing that Could Possibly Work
Context: The complexity that we despise is the complexity that leads to difficulty. It isn't the complexity that raises problems. There is a lot of complexity in the world. The world is complex. That complexity is beautiful. I love trying to understand how things work. But that's because there's something to be learned from mastering that complexity.
Read from his musical diaries while speaking at St. Vladimir’s Seminary https://vimeo.com/221011528/
New York Times, Dane Clark, Actor, 85, Dies; Starred in World War II Films, September 16, 1998
Electronic Musician magazine, December 1986
Interviews
Statement to Nat Hentoff, as quoted in California Rock, California Sound : The Music of Los Angeles and Southern California (1979) by Anthony Fawcett, p. 56; also in “Jazz : Beyond Time and Nations” in The Nat Hentoff Reader (2001), Part 2 : The Passion of Creation, p. 99
Speaking on his problems with the paparazzi, as quoted in the National Post (May 2001).