“Only the artist who has a love and an aptitude for craftsmanship should make prints; only when the artist truly prints himself does the work earn the name original print.”

quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
1920's

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Ernst Ludwig Kirchner photo
Ernst Ludwig Kirchner 54
German painter, sculptor, engraver and printmaker 1880–1938

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“Nowhere does one come to know an artist better than in his prints [and] the woodcut is the most graphic of the print processes.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 39
Kirchner expressed the significance of print-making for German Expressionism in general when he wrote this quote
1920's

Johann Gottfried Herder photo

“A person, who reads only to print, to all probability reads amiss”

Johann Gottfried Herder (1744–1803) German philosopher, theologian, poet, and literary critic

Briefe, das Studium der Theologie betressend (1780-81), Vierundzwanzigster Brief; cited from Bernhard Suphan (ed.) Herders sämmtliche Werke (Berlin: Weidmann, 1877-1913) vol. 10, p. 260. Translation from Samuel Taylor Coleridge Biographia Literaria (London: Rest Fenner, 1817) vol. 1, ch. 11, pp. 233-34.
Context: With the greatest possible solicitude avoid authorship. Too early or immoderately employed, it makes the head waste and the heart empty; even were there no other worse consequences. A person, who reads only to print, to all probability reads amiss; and he, who sends away through the pen and the press every thought, the moment it occurs to him, will in a short time have sent all away, and will become a mere journeyman of the printing-office, a compositor.

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“.. because his applying paint to it [the sculpture 'Painted Bronze, two painted ale cans', created by the American pré-Pop Art artist Jasper Johns ] was absolutely mechanical or, at least, as close to the printed thing as possible. It was not an act of painting; actually, the printing [or painting? ] was just like printing except it was made by hand by him. That doesn’t add a thing to it.”

Marcel Duchamp (1887–1968) French painter and sculptor

it's just the idea of imitating the beer can that is important.
Quote from 'Some late thoughts of Marcel Duchamp', an interview with Jeanne Siegel, p. 21; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 194
posthumous

Max Pechstein photo

“What a variety of shapes exists in the lithograph when one prepares the stone for printing, etches it, and prints oneself. Above all, one must do the printing oneself!”

Max Pechstein (1881–1955) German artist

quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 40-41

Hendrik Werkman photo

“I will keep for you the small drawings that I usually make beforehand. They don't have any artistic value. I just make them to have some grip for the composition of the print..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): De kleine teekeningen die ik vooraf meestal maak, zal ik voor je reserveren. Artistieke waarde hebben ze niet, ik maak ze alleen om eenig houvast te hebben voor de opbouw van de druk..
In a letter (nr. 356) to August Henkels, 11 July 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 177
In February 1941 it was his friend and leader of the nl:De Blauwe Schuit (uitgeverij) August Henkels who borrowed Werkman the book of Martin Buber: 'Legends of the Baal Shem'. Werkman promised his friend the preliminary drawings he would make for creating the series of 20 prints of the 'Chassidic Legends' https://www.kb.nl/de-chassidische-legenden
1940's

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“The large print giveth and the small print taketh away.”

Tom Waits (1949) American singer-songwriter and actor

"Step Right Up", Small Change (1976).
Variant: The big print giveth and the small print taketh away.
Source: The Early Years: The Lyrics, 1971-1983

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