quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 39
Kirchner expressed the significance of print-making for German Expressionism in general when he wrote this quote
1920's
“Only the artist who has a love and an aptitude for craftsmanship should make prints; only when the artist truly prints himself does the work earn the name original print.”
quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
1920's
Help us to complete the source, original and additional information
Ernst Ludwig Kirchner 54
German painter, sculptor, engraver and printmaker 1880–1938Related quotes
“A person, who reads only to print, to all probability reads amiss”
Briefe, das Studium der Theologie betressend (1780-81), Vierundzwanzigster Brief; cited from Bernhard Suphan (ed.) Herders sämmtliche Werke (Berlin: Weidmann, 1877-1913) vol. 10, p. 260. Translation from Samuel Taylor Coleridge Biographia Literaria (London: Rest Fenner, 1817) vol. 1, ch. 11, pp. 233-34.
Context: With the greatest possible solicitude avoid authorship. Too early or immoderately employed, it makes the head waste and the heart empty; even were there no other worse consequences. A person, who reads only to print, to all probability reads amiss; and he, who sends away through the pen and the press every thought, the moment it occurs to him, will in a short time have sent all away, and will become a mere journeyman of the printing-office, a compositor.
it's just the idea of imitating the beer can that is important.
Quote from 'Some late thoughts of Marcel Duchamp', an interview with Jeanne Siegel, p. 21; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 194
posthumous
quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 40-41
“Nothing written for pay is worth printing. Only what has been written against the market.”
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): De kleine teekeningen die ik vooraf meestal maak, zal ik voor je reserveren. Artistieke waarde hebben ze niet, ik maak ze alleen om eenig houvast te hebben voor de opbouw van de druk..
In a letter (nr. 356) to August Henkels, 11 July 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 177
In February 1941 it was his friend and leader of the nl:De Blauwe Schuit (uitgeverij) August Henkels who borrowed Werkman the book of Martin Buber: 'Legends of the Baal Shem'. Werkman promised his friend the preliminary drawings he would make for creating the series of 20 prints of the 'Chassidic Legends' https://www.kb.nl/de-chassidische-legenden
1940's
“The large print giveth and the small print taketh away.”
"Step Right Up", Small Change (1976).
Variant: The big print giveth and the small print taketh away.
Source: The Early Years: The Lyrics, 1971-1983