“And hold one another's noses to the grindstone hard.”
Robert Burton book The Anatomy of Melancholy
Section 1, member 3.
The Anatomy of Melancholy (1621), Part III
Blurt, Master-Constable (c.1601), Act iii. Sc. 3. Attributed to Middleton, but possibly written or edited by Thomas Dekker. http://www.tech.org/~cleary/blurt.html#NOTES. Compare: "Hold their noses to grinstone", John Heywood, Proverbes. Part i. Chap. v.
“And hold one another's noses to the grindstone hard.”
Robert Burton book The Anatomy of Melancholy
Section 1, member 3.
The Anatomy of Melancholy (1621), Part III
“5187. To hold one's Nose to the Grind-stone.”
Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
Maurice Sendak (1928–2012) American illustrator and writer of children's books
As quoted in "Interview: Why Is Maurice Sendak So Incredibly Angry?" by Leonard S. Marcus in Parenting (October 1993); also in Ways of Telling : Conversations on the Art of the Picture Book (2002) by Leonard S. Marcus, p. 181
“And also I shall to reueng former hurtis,
Hold their noses to grinstone, and syt on theyr skurtis.”
John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs
And also I shall to revenge former hurts,
Hold their noses to grindstone, and sit on their skirts.
Part I, chapter 5.
Proverbs (1546)
Wilhelm Canaris (1887–1945) German admiral, head of military intelligence service
Alternate version: A day will come when the world will find the Wehrmacht responsible for these methods, inasmuch as the things happen with our tacit consent.
September 1939. Quoted in "Bodyguard of Lies: The Extraordinary True Story Behind D-Day" - Page 178 - by Anthony Cave Brown - 2007
“…her breasts swam towards me like two pink-nosed fish and she let me hold them.”
Philip Roth book Goodbye, Columbus
Source: Goodbye, Columbus (1959), Chapter 2
Francis Beaumont The Knight of the Burning Pestle
The Knight of the Burning Pestle (c. 1607; published 1613), Act I, scene 4.