
Cited in: Roger Martin, Karen Christensen (2013) Rotman on Design. p. 213
New millennium, Harvard Business School Press conference, 2002
Milton's God (1961; repr. London: Chatto & Windus, 1965) p. 261.
Other
Cited in: Roger Martin, Karen Christensen (2013) Rotman on Design. p. 213
New millennium, Harvard Business School Press conference, 2002
Quoted in Leslie Halliwell, Halliwell’s Filmgoers’ Companion ( 1984 http://books.google.com/books?id=SAAqAAAAYAAJ&q=%22Paul+Newman+Acting+is+a+question+of+absorbing+other+people's+personalities+and+adding+some+of+your+own+experience%22&pg=PA3#v=onepage)
2014, Address to European Youth (March 2014)
Source: NOS4A2
The Tragic Sense of Life (1913), XI : The Practical Problem
Context: And what is its moral proof? We may formulate it thus: Act so that in your own judgment and in the judgment of others you may merit eternity, act so that you may become irreplaceable, act so that you may not merit death. Or perhaps thus: Act as if you were to die tomorrow, but to die in order to survive and be eternalized. The end of morality is to give personal, human finality to the Universe; to discover the finality that belongs to it — if indeed it has any finality — and to discover it by acting.
"Industrial Unionism" (1905), Eugene Debs Speaks