“Each factory will be making Robots of a diťferent color, a different nationality, a different tongue; that they'll all be different — as different from one another as fingerprints; that they'll no longer be able to conspire with one another; and … we, we people will help to foster their prejudices and cultivate their mutual lack of understanding, you see? So that any given Robot, to the day of its death, right to the grave, will forever hate a Robot bearing the trademark of another factory… Thunder, we'll make Black Robots and Swedish Robots and Italian Robots and Chinese Robots, and then let someone try to drive the notion of brotherhood into the noggin of their organization…”

—  Karel Čapek , R.U.R.

R.U.R. (1920)

Adopted from Wikiquote. Last update Dec. 19, 2022. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Each factory will be making Robots of a diťferent color, a different nationality, a different tongue; that they'll all …" by Karel Čapek?
Karel Čapek photo
Karel Čapek 51
Czech writer 1890–1938

Related quotes

Isaac Asimov photo

““You’re the U. S. Robot’s psychologist, aren’t you?”
“Robopsychologist, please.”
“Oh, are robots so different from men, mentally?”
“Worlds different.” She allowed herself a frosty smile, “Robots are essentially decent.””

Isaac Asimov book I, Robot

“Evidence”, p. 151
I, Robot (1950)

Karel Čapek photo

“Robots of the world! Many people have fallen. By seizing the factory we have become the masters of everything. The age of mankind is over. A new world has begun! The rule of Robots!”

Karel Čapek R.U.R.

R.U.R. (1920)

Madeleine Stowe photo

“We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)
Context: There came a point in time, with all the difficulty, all the frustration, where I was quite content to be where I was. I suppose one could call it a kind of enchantment, I don't know. The shoot was so difficult on the crew and the extras. Often, it was unpleasant for them and many left. But difficulty also creates its own kind of beauty, I suppose. And while I don't revisit it unless asked, there is this sense of apartness I felt during that period of time from our own world. Perhaps the others felt the same, I'm unsure, and that is what you might feel when you watch the movie. We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.

Helen Keller photo

“Death is no more than passing from one room into another. But there's a difference for me, you know. Because in that other room I shall be able to see.”

Helen Keller (1880–1968) American author and political activist

“It's a simple fact, when you move from one color space to another color space, that if there's a value contrast you get a strong optical illusion. Strong value contrast can be expressive and dramatic. Like the difference between high or low volume or the low key and the high keys on the piano... Actually, if you're moving from one flat color to another flat color, if there's a difference of color – if one is matte and the other is shiny – that contrast of tactility can keep them visually in the same dimension. It keeps them adjacent – side by side... Another reason is that a matte color and a shiny, transparent color are emotionally different. If something is warm and fuzzy and dense we have a kind of emotional response to that. If something is clear and you can see through it, like yellow or green or red can be, we have a different emotional sensation from that. So there's an expressive difference you can get that gives you more expressive range.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Ernest Hemingway photo

“Going to another country doesn’t make any difference. I’ve tried all that. You can’t get away from yourself by moving from one place to another. There’s nothing to that.”

Ernest Hemingway book The Sun Also Rises

Source: The Sun Also Rises

Jacqueline Susann photo

“Never judge anyone by another's opinions. We all have different sides that we show to different people.”

Jacqueline Susann book Valley of the Dolls

Source: Valley of the Dolls

Isaac Asimov photo

“If you were to insist I was a robot, you might not consider me capable of love in some mystic human sense, but you would not be able to distinguish my reactions from that which you would call love — so what difference would it make?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Foundation series (1951–1993), Foundation’s Edge (1982), Chapter 20 “Conclusion” section 4, p. 420

Desmond Tutu photo

“Differences are not intended to separate, to alienate. We are different precisely in order to realize our need of one another.”

Desmond Tutu (1931) South African churchman, politician, archbishop, Nobel Prize winner
Helen Keller photo

“We differ, blind and seeing, one from another, not in our senses, but in the use we make of them, in the imagination and courage with which we seek wisdom beyond the senses.”

Helen Keller (1880–1968) American author and political activist

The Five-sensed World (1910)

Related topics