“"Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for--they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad."”

— Afrika Bambaataa

Afrika Bambaataa, quoted in David Toop (1991). Rap Attack 2: African Rap To Global Hip Hop, p.60. New York. New York: Serpent's Tail. .

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote ""Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like …" by Afrika Bambaataa?

Afrika Bambaataa 2

American DJ, record producer and activist 1957

Related quotes

“Well let me tell you like this, the rap scene right now has taken its own course and its own direction because you have so many rap records of all different calibers coming out. And me, I favor everybody, I like everybody and the reason why is because I want everyone to Favor Flav. If I favor one certain rapper or one certain singer then only one certain singer/rappers are going to favor Flav. So me, I'm just a friendly ghost and not only that I'm a musician. I like all kinds of music. And everybody making records right now is definitely respected by Flav and for all you new comers just starting to make records: welcome aboard.”

Flavor Flav (1959) American rapper

[Casey, Cisneros, http://media.www.collegian.com/media/storage/paper864/news/2005/01/27/VervetheDishLive/Flavor.Flav.Interview-1705943.shtml, Flavor Flav interview, The Rocky Mountain Collegian, Colorado State University, 27 January 2005, 2008-03-05]

“Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records. The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.”

Grandmaster Flash (1958) musician

Quoted in Rap Attack 2 (1991) by David Toop, p. 62 ISBN 1852422432

“A scratch is nothing but the back-cueing that you hear in your ear before you push it out to the crowd. All you have to know is mathematically how many times to scratch it and when to let it go — when certain things will enhance the record you're listening to. For instance, if you're playing a record with drums--horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.”

Grandmaster Flash (1958) musician

Quoted in Rap Attack 2 (1991) by David Toop, p. 65

“There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On record industry, as quoted in "John McLaughlin: State of the Musical Arts", by The Snapshots Foundation; directed by Jonathan Bewley, YouTube, Jul 11, 2014 https://www.youtube.com/watch?v=utqp7ECKUl0

“Everybody's wonderin' what and where they all came from.
Everybody's worryin' 'bout where they're gonna go
When the whole thing's done.
But no one knows for certain
And so it's all the same to me.
I think I'll just let the mystery be.”

Iris DeMent (1961) American singer and songwriter

Let the Mystery Be
This song was used as the theme song for the second season of The Leftovers
Song lyrics, Infamous Angel (1992)

“I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?”

Beck (1970) American Musician (b.1970)

Blender magazine, October 2002

“It seemed like there was no control over it. I think certain things just popped. God was blessing us in telling us that certain things were going the way they were supposed to go.”

Jack White (1975) American musician and record producer

Perry, Andrew (2004). "The White Stripes uncut" http://observer.guardian.co.uk/omm/story/0,,1349947,00.html ObserverGuarduan.co.uk (accessed June 6, 2006)
On why 2004 was, up to that point, the best year of his life
2004

“Everybody thought Barack Obama was going to [inspire people] when he came to Washington, but, you know, the Senate seems like the place where smart people go to die.”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Originally spoken, reprinted in Mr. Obama Goes to Washington http://davidsirota.com/index.php/mr-obama-goes-to-washington/ By David Sirota in The Nation, June 7, 2006.

“We were tired of writing music that sounded like everybody else, and we were stuck in this rut for so long of just trying to emulate our favorite bands. We're just going to write stuff that feels good, sounds good. And if other people don't like it, oh well. Then we remembered Bert from just playing shows with his band. So we gave him a call and he happened to not be in any bands. The timing was like perfect.”

Bert McCracken (1982) American musician

Branden Steineckert, former drummer for The Used, on recruiting McCracken to the band, reported in Alan Sculley (July 4, 2003) "Getting used to reality", The Columbian, p. F9.
About

“Got a wife and kids in Baltimore Jack;
I went out for a ride and I never went back.
Like a river that don't know where it's flowing,
I took a wrong turn and I just kept going”

Bruce Springsteen (1949) American singer and songwriter

"Hungry Heart"
Song lyrics, The River (1980)

Help us to complete the source, original and additional information

Afrika Bambaataa 2

Related quotes

Related topics