“In this Summer time of ours with Scheveningen on the shore the bathing time and the hot weather I did very few things.... was only busy calculating my studies [for later paintings] and to see what I should do.... an interior with some figures an outside Schevening shore scene a scene with sentiment of feeling or a picture quite after nature so natural as if it was the old dutch school [17th century].... I hope the next days will bring me a safe outcome from the turbulations in my head, all is so fine and beautiful to do..”

— Jozef Israëls

original text by Israëls
In a letter from The Hague, 26 August 1872, to his friend and colleague George Reid in Edinburgh; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 363
Quotes of Jozef Israels, 1871 - 1900

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Jozef Israëls 33

Dutch painter 1824–1911

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“I believe that one should not think so much about nature when painting, at least not during the conception of the picture. Make the color sketch exactly as one has felt something in nature. But my personal feeling is the main thing. Once I have established it, lucid in tone and color, I must bring in from nature the things that make my painting seem natural, so that a layman will only think that 1 have painted it from nature.”

Paula Modersohn-Becker (1876–1907) German artist

quote from her Diaries, 1 October, 1902; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
1900 - 1905

“What part should nature play in a work of art? Where should the line be drawn? And from the standpoint of practical procedure - should one work directly from nature or merely study and remember it? Too much freedom frightens me, poor imitator that I am, and yet my head is filled with so many images evoked by what I see around me at all times that nature seems insignificant and banal.”

Paul Sérusier (1864–1927) French painter

Quote from a letter to Maurice Dennis, 1889; as quoted by John Rewald in Pierre Bonnard; MoMA - distribution, Simon & Schuster, New York, 1918, p. 14 - note 7

“As I hear, you are the possessors of one of my favorite paintings 'The children on the beach' and I can tell you that few pictures by me, have so much figures, busy in the subject. Therefore I mean that this picture is an unicum and I hope you will give it a good light and place in your gallery.”

Jozef Israëls (1824–1911) Dutch painter

Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900

“Right then, with the shore so close, I understood that I would not do what I should do. I would not swim away from my hometown and my country and my life. I would not be brave.”

Tim O'Brien book The Things They Carried

The Things They Carried (1990), On the Rainy River

“I rang up this publisher and they asked me what I was doing at the time. I told them I was a house-painter, so first of all they had me come round and paint the place. Only later did they consider my work and Banished Misfortune was published.”

Dermot Healy (1947–2014) Irish writer

John O'Mahony (2000). Let the west of the world go by http://www.guardian.co.uk/books/2000/jun/03/fiction.johnomahony, The Guardian (3 June 2000)

“[learning European modern art by seeing it in the art-magazine 'w:Cahiers d'art']…. my heritage was all those things; [De Stijl, Constructivism, Cubism, Surrealism ] simultaneously, so I am all those things. I hope with a very strong intellectual regard for Cubism, and an admiration for it, because it was great at a particular time. It was both painting and sculpture. It was a great point of liberation in both painting and sculpture, and especially sculpture. [David Smith was one of the few sculptors in the art scene of American Abstract Expressionism ]”

David Smith (1906–1965) American visual artist (1906-1965)

In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 8
1960s

“To me, through every season dearest;
In every scene, by day, by night,
Thou, present to my mind appearest
A quenchless star, forever bright;
My solitary sole delight:
Where’er I am, by shore—at sea—
I think of thee.”

David Macbeth Moir (1798–1851) Scottish physician and writer

When Thou at Eve art Roaming, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“I have rented a room in Scheveningen to make studies from nature. It is a room with view on the sea; I hope to make there beautiful things, and to keep moving forward.”

Hendrik Willem Mesdag (1831–1915) painter from the Northern Netherlands

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) ..ik heb een kamer gehuurd in Scheveningen om er studies naar de natuur te maken. Het is een kamer met uitzicht op zee; ik hoop er mooie dingen te maken, en steeds vooruit te gaan.
In a letter to his Belgium friend A. Verwee, 28 Mai 1871; as cited in Hendrik Willem Mesdag 1831 – 1915; De Schilder van de Noordzee, Johan Poort; Mesdag Documentaire Stichting cop, ISBN 90-74192-14-9; 2001, p. 17
before 1880

“Universal was like a family. When I was having a terrible time during my pregnancy, they came to my home and built sets right in my bedroom so I could finish the few scenes I had left in ‘That’s the Spirit’. But Columbia—that was work! I did a lot of crime pictures and another horror called ‘The Creeper’. When it was time for those cats to be all over my dead body, I yelled for a stand in. I couldn’t stand having dozens of cats walking all over me. It gave me the shivers!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

“What I consider to do with the new course [at The Academy of Art in The Hague] is: in the morning doing large plaster and in the afternoon painting or drawing after Nature, what I am doing already for some time, and [drawing] horses in the Municipal Horse Riding School. The Director is Sir Krüger, a very charming German who has seen of course many horses and so he knows how to show me the mistakes I make, which are not few.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat ik mij voorstel met de nieuwe cursus te doen is: 's morgens grootpleister en 's middags schilderen of naar de natuur teekenen. waarmede ik reeds eenige tijd bezig ben. en paarden in de Stadsrijschool. De Dir. daarvan is den Heer Krüger een alleraardigste duitscher, die nat. veel paarden gezien heeft en me dus de fouten weet te zeggen, die ik maak en die niet weinige zijn.
early quote of Breitner in his letter to his Maecenas A.P. van Stolk, 11 April 1878; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/585
before 1890

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Jozef Israëls 33

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