Losing Face
Grooks
“Participation - that's what's gonna save the human race.”
They judged that, indisputably, by the study of these disciplines not only was the tongue refined, but also the wildness and barbarity of people’s minds was amended.
Source: Praise of Eloquence (1523), p. 66
“What monstrosities would walk the streets were some people's faces as unfinished as their minds.”
Section 89
Reflections on the Human Condition (1973)
Speech in Syracuse (12 September 1912) PWW 25:145
1910s
Eros http://rpo.library.utoronto.ca/poem/2933.html, st. 1 (1899).
Poetry
The Tragic Sense of Life (1913), XI : The Practical Problem
Context: And what is its moral proof? We may formulate it thus: Act so that in your own judgment and in the judgment of others you may merit eternity, act so that you may become irreplaceable, act so that you may not merit death. Or perhaps thus: Act as if you were to die tomorrow, but to die in order to survive and be eternalized. The end of morality is to give personal, human finality to the Universe; to discover the finality that belongs to it — if indeed it has any finality — and to discover it by acting.
1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
