“I recognize fully that you do not draw well, my dear Lucien [his son, also painter]. I told you any number of times that it is essential to have known forms in the eye and in the hand. It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.”

— Camille Pissarro

In a letter, 1883, to his son Lucien; as quoted by C., & Rewald, in Camille Pissarro: Letters to his son Lucien, New York: Pantheon Books, 1943 p. 32
1880's

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Camille Pissarro 51

French painter 1830–1903

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“It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character... So much the better if it is painful for you to take even the first step, the more toilsome the work, the stronger you will emerge from it... I repeat, guard against facility.”

Camille Pissarro (1830–1903) French painter

Quote in a letter to his son Lucien (1894); as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, David W. Galenson, Harvard University Press, 30 Jun 2009, p. 84
1890's

“Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.”

Nicole Krauss The History of Love

Source: The History of Love

“It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

“I usually only draw myself in down periods. I do, actually. I suppose that's why I often draw myself looking grim. I just think, "Let's have a look in the mirror." When you are alone and you look in a mirror you never put on a pleasing smile. Well, you don't, do you?”

David Hockney (1937) British artist

Interview with Nigel Farndale, "The talented Mr. Hockney" http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2003/11/17/bahock17.xml The Telegraph (15 November 2001)
2000s

“The future painter must feel what is useful for his development – drawing or even sculpture everything that will let him become one with Nature, identify himself with her, by entering into the things – which is what I call Nature – that arouse his feelings. I believe study by means of drawing is most essential. If drawing is of the Spirit and color of the Senses, you must draw first, to cultivate the spirit and to be able to lead color into spiritual paths.”

Henri Matisse (1869–1954) French artist

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 238-239
1940s

“.. in my ideal of a good painting; there's unity. The drawing and the colour are no longer distinct; as soon as you paint you draw; the more the colours harmonize, the more precise the drawing becomes. I know that from experience. When the colour is at its richest, the form is at its fullest.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 221 in: 'What he told me – III. The Studio'

“I intended all of that. And this is what I like about this, and drawings like draw, like the gunman. I call this the shoot out, the high noon draw. That was also my intent as well as drawings; draw a bucket back to the cables and the whole idea about drawings…”

Lorna Dee Cervantes (1954) American writer

On how drawings are used in all of its forms as a recurrent theme in From the Cables of Genocide in “Poetry Saved My Life: An Interview with Lorna Dee Cervantes” https://opencourses.uoa.gr/modules/document/file.php/ENL9/Instructional%20Package/Texts//Readings/Chicana%20Movement-%20Further%20Reading/An%20Interview%20with%20Lorna%20Dee%20Cervantes.pdf (Spring 2007)

“Dear Monsieur,
I can make a drawing for you; when you have time to see me we will talk about it. I am always at home during the day.
I have the honor of greeting you, h. Daumier.”

Honoré Daumier (1808–1879) French printmaker, caricaturist, painter, and sculptor

Quote of Daumier from his handwritten, undated letter, presumably to mr. Deschamps, probably Monday 20 December 1843; from website Daumier http://www.daumier.org/14.0.html#c760
1840's

“If something doesn't creep into a drawing that you're not prepared for, you might as well not have drawn it.”

Edward Gorey (1925–2000) American writer, artist, and illustrator

Source: Ascending Peculiarity: Edward Gorey on Edward Gorey

“To draw, you must close your eyes and sing”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

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Camille Pissarro 51

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