
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 5
in a letter of 12 Feb. 1912 from Paris, to his friend Nino Barbantini (director of the Ca' Pesaro in Venice); as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 67
1912
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The air is filled with endless images of the objects distributed in it; and all are represented in all, and all in one, and all in each, whence it happens that if two mirrors are placed in such a manner as to face each other exactly, the first will be reflected in the second and the second in the first. The first being reflected in the second takes to it the image of itself with all the images represented in it, among which is the image of the second mirror, and so, image within image, they go on to infinity in such a manner as that each mirror has within it a mirror, each smaller than the last and one inside the other. Thus, by this example, it is clearly proved that every object sends its image to every spot whence the object itself can be seen; and the converse: That the same object may receive in itself all the images of the objects that are in front of it.
Source: The Reappearance of the Christ and the Masters of Wisdom (1980)
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective